EASTROCKTrumpet Mouthpiece Silver Plated 7C, Bb Trumpet Mouthpiece Replacement Made of Brass for Beginners Professional Players (7C)

Quite nice, does what it's supposed to. Just needed it to sell my trumpet

My son needed this trumpet mouth piece to play high rhythm. They work so far.

Packaged in a cardboard box not so much bigger than the actual piece. Great quality and overall just a solid replacement 7c mouthpiece.

Trumpet Mouthpieces finish and general engineering very satisfactory. The 3C should suit beginners who prefer a different cup and rim feel to the commonly used 7c mouthpieces. Professionals may also prefer the 3C. The low cost would suit those on a restricted budget.

good enough quality for buzzing practice- just what I wanted. have not tried with a trumpet. fits in pocket easily, so I can practice mouth piece buzzing ethereal ever I go

Lovely

Whilst the mouthpiece appears to be well made and blows ok in the trumpet, when compared to an original Bach 5c mouthpiece it is clear that several of the dimensions are incorrect, such as bore depth and cup depth, and as such this is NOT a Bach 5c model.

For £17 this is a good mouthpiece if you want Bach or yamaha then your going to need deep pockets, it got a great Bb tone and that's all I want for now, 50 years since I played the bugel but it's coming back 😉 ever so slowly but it's getting there.

Ojalá hicieran una sin el cuerpo para instalar en trompeta. Realmente lo que sirve es que puedas ver tu embocadura pero tienes que inclinarte para verla porque así recto no te ves, tiene que ser de lado.

My Bach 1 1/2 C mouthpiece was stolen. I’ve been playing on a Yamaha 11c and I know I could get a deeper richer sound with my Bach, I just didn’t want to pay $80 for a new one. I took a chance and bought this and am super grateful I did! It’s a great mouthpiece. I would have never known it wasn’t a Back. Try it, it’s definitely worth it!!!

Cumple.

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For beginners and for the price, the Eastrock 1-1/4C and 1-1/2C are a decent place to start for comparing these two “classic” mouthpieces, which are inspired by the traditional Bach mouthpieces of the same name. If you’re on a dreaded mouthpiece safari just know that the 1-1/4C and 1-1/2C will differ in that a 1-1/4C will have a slightly narrower rim and deeper cup versus a 1-1/2C (note that neither have as much cup volume as a “beginner” 7C and that it’s the contour of the 7C rim that some find uncomfortable... interesting, yet little known fact!). Anyway, If you want to know what a 1-1/4C and 1-1/2C feels like pressed to the lips, this Eastrock will deliver because the rim and diameter are very close to the Bachs. Where I struggled with both Eastrock mouthpieces was that there was more resistance and a difference in tone. The sound and feel was “stuffier” than with my Vincent Bach 1-1/4C (my Vincent Bach 1-1/4C is not a Vincent Bach ‘Corp.’ for those of you who know your Bach mouthpiece history and are aware of the inconsistencies in Bach’s manufacturing). I wanted to attribute the stufiness to overblowing, but that’s not it. I was determined to figure out why the Eastrocks felt and sounded different, so I put a caliper on them (for you measurement junkies):EASTROCK 1-1/2CRim diameter 1.062”(26.97mm)Rim width .216”(5.49mm)Inner diameter rim to rim .662” (16.83mm)Backbore .327” (8.31mm)EASTROCK 1.25CRim diameter 1.065”(27.07mm)Rim width .197”(5.01mm) - slightly smaller than Bach, but just as comfortable for meInner diameter rim to rim .658” (16.7m) - same as BachBackbore .327” (8.31mm) - same as BachFor Comparison (The measurements of my Vincent Bach 1-1/4C)Outer rim diameter: 1.080”(27.42mm)Inner diameter rim to rim .658” (16.7m)Rim width .213” (5.43mm)Backbore .327” (8.31mm)Overall height/length of all the mouthpieces is the same at ~3.5”.So what accounts for the stuffiness? Could be a number of things for which I don’t have the delicate instruments to measure; for example, cup depth, cup volume, throat diameter, etc. Either way, something is slightly different from the Bach. Overall, the Eastrock is a good mouthpiece for those on a budget and it makes a decent backup in a pinch… just not for a pro in my opinion. I played for 30+ years, then took a 15 year hiatus, and have just started the journey again by dusting off the ol' Bach model 43. If there's one thing I learned over the years, it's that a different mouthpiece can add color/timbre, but there is no substitute for a well developed embouchure and proper technique. Also keep in mind that what works for me may not work for you because we all have different anatomy (lips, teeth size and alignment, tongues, oral cavities)… Being a musician is a journey and you’ll need to discover what is most comfortable for you. Still, be sure to stick with a new mouthpiece for a few weeks to properly assess it!