Product Description This debut album places the soulful vocals of frontwoman Chloe Conger on top of a hypnotic mix dub grooves, funky African guitars, tribal rhythms, and washes of electronic ambience. Review Born At Midnight is a brave, confident début enriched by multiple, layered influences, embellished by beautiful vocals and an absorbing sonic tapestry that the statements in the press release could undersell. This is globally-minded, yes, but first and foremost it is a perfect, intelligent and atmospheric pop album. 'Regresando' arrived in my inbox some time last year in the wake of the unexpected (and successful) return of shoegazer pop as fashioned by the likes of The XX. That inwardness and introspection, best championed by the 4AD and Factory labels back in the Eighties, is the other dominant sound on Born At Midnight, both in the reflective guitar melodies and Chloe Conger's quietly captivating vocals. Conger sounds like a less depressing Tracy Thorn at times, the same muted euphoria that made a Todd Terry-remixed Everything But The Girl such an oddly compelling blend, especially on the dancefloor-friendly remix of 'Regresando' included at the end of the album. If you imagine shoegazer pop suffused with a Mexican / Californian warmth, you might come close to the particular take on pop that The Silver Pesos have crafted for Born At Midnight. The track 'No History', whose lyrics give the album its title, is about a person suffering the consequences of political violence; the track, one of my personal favourites, has a pop delicateness with an extended breakdown section at the end that swiftly moves into Tubby / Scientist dub territory. The bonus remix takes that several stages further into reverberating dub reggae authenticity, including what sounds like some Augustus Pablo-style melodica washes. Conger's ethereal vocal drifts in and about the mix, anchoring the song back to its more mainstream-leaning original version. 'Picture On The Wall' is downright beautiful philosophical pop, a shimmering opus that is wrought with all manner of emotional hooks and chord changes. --Audio Journal by MJA Smith
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