American Gothic

This is the type of film book that I dig the most: well written, astonishingly illustrated with plenty of b&w plates and color as well, page after page of concise reviews of horror's golden age. Jonathan Rigby has created a unique testament to old time Hollywood featuring page after page on Universal's wonderful chillers as well as some poverty row films from lesser known studios such as Republic, RKO and plenty of British films of course. Dead hard fans will definitely want to add this volume to their libraries where it will provide hours on end of reading pleasure! Hats off to Rigby and here's to a much sought after sequel! We deserve more serious books like this one. Highly recommended!

American Gothic ; sixty years of horror cinema by Jonathan Rigby is the most in depth collection of American Gothic film information I have ever run across. In fact, it is probably a little more than "I" bargained for. It is a plethora of intense and concise information regarding the classical American gothic film genera that goes far beyond my basic understanding of the early film industry.This is a book designed for the real film buffs and historians who live, eat, and breathe the dusty film vaults that encompass the spirits of Bela Lugosi, Boris Karloff, Lon Chaney, and many many more.A great collection for the true horror film historian, but simply too much information for my interest and understanding of the subject matter.

Another great read by Rigby. Anyone familiar with his fantastic earlier volume, "English Gothic", knows how well researched and wonderfully presented his info is. A hard book to put down, even if you know much of this stuff already. As an owner of 80+ books of this type, this is among the best. Nothing lacking in facts- this guy has obviously seen all the films he has reviewed (or at least has done his research!). Pick this one up! And get "English Gothic" as well!

Book is worth 5 stars. The cover of the book was creased at top and torn at bottom. This is the fault of Amazon.

great addition to the "Gothic" collection

Only started reading this a couple of days ago, dipping into it at points of interest (eg "Cat people" , "Frankenstein" and it seems to maintain the high standard of Rigby's previous book "English gothic". A wealth of information and insight. Highly recommended.

Reading this book was a concerted effort on my part. Rather than an overview of American gothic cinema, which is kind of a vague notion to begin with, this book was a review of select films which glossed over entire sub genres within the whole. The book itself is handsome, and well constructed with the requisite photos and such, but the writing, though obviously very well researched, is borderline academic and quite dry. Three stars for being pretty, but lacking in passion. For the serious and erudite film historian only.

This is the story of Hollywood horror films from 1897 to 1956. It follows trends and looks into what the films mean. The pictures are good (some I've never seen before) and the synopsis and reviews of certain films is interesting...but I found this a real chore to get through. I'm a horror movie fan so I've read plenty of books on the subject. This book adds nothing new to it at all. It's the same theories and analysis that have been written about for years. Even worse it's written in a very dry academic manner that quickly gets boring. I thought I was reading a college thesis paper rather than a book a few times! It gets two stars for the pictures and synopsis of certain films but I really can't recommend this at all.

Well written, well researched, and well presented. I would recommend this book for any horror fan seriously interested in the history of the genre.

An impressively well-presented and substantial hardback volume, this is an entertaining and quite scholarly survey of American horror movies; the illustrations are mostly in black and white with a few pages of colour reproductions of posters; individual panels are laid out providing information on films of particular note within the more general narrative of each chapter; as others have noted, it rather disappointingly ends in 1959 so it is – to some readers perhaps - an incomplete reference.Otherwise, it's a good book for what it is; it is a companion volume to a couple of others by the author Jonathan Rigby and is certainly worth adding to one's library of cinema studies.

Following the 2015 re-issue of the now-legendary English Gothic, and then 2016’s excellent Continental study Euro Gothic, Jonathan Rigby’s long-out-of-print American Gothic (first published in 2007) is now also available in a complimentary hardback edition, handsomely mounted like its companion volumes.Revised to include a small but valuable amount of new material, the vast majority of the content here is nevertheless retained wholesale from the decade-old first edition, though unlike the other two volumes, and despite broadening out its period of study slightly (the initial edition ended with a look at the Basil Rathbone / Lon Chaney / Bela Lugosi monster mash The Black Sleep from 1956, whilst the new one takes in Vincent Price chillers like 1958’s The Fly and 1959’s House on Haunted Hill) this study of classic US-made horror cinema does not attempt even a cursory overview of the genre’s development past the pre-Psycho (1960) period.This is of course because, unlike the UK and European fright film booms of the 1950s – 1970s that have been subjected to Rigby’s close focus, a ‘golden age’ of US horror flicks is much more difficult to identify, and thus in order to really address his key subject of ‘classic gothic’ the writer has had to essentially disregard American cinema’s ‘modern’ contributions to the genre out-of-hand, which is totally understandable. The sheer scale of US horror film production from 1960 onwards is so unconscionably vast that to cover it in anything like a level of detail comparable to that of Rigby’s past tomes would probably necessitate two more huge volumes at least, surely an unworkable task regardless of how passionately fans might feel that Romero, Friedkin, Carpenter and Craven are American cinema’s most important horror directors and the founding fathers of late 20th Century / early 21st Century scary movies.But enough about what American Gothic isn’t, this review is about what it is: the best book I have ever read on the subject of the classic American horror film. From the German Expressionism-influenced silent era through the Universal classics of the 1930s, the good and the bad to come from the other major Hollywood studios, the 'Poverty Row' howlers of the 1940s, and the Val Lewton-produced chillers from RKO, everything you’d expect is touched on; even Dwain Esper’s grotty proto-roughies get a suitable amount of coverage. As always, Rigby’s critiques remain well-reasoned and highly detailed, with the genre’s hero figures (Boris Karloff, Lionel Atwill, Jacques Tourneur) rightly lionised and celebrated whilst the somewhat more controversial contributions of other individuals are given the probing they deserve (I especially enjoyed Rigby’s identification of what is wrong with the hugely overrated horror-comedy films of James Whale, whilst his opinion of John Carradine’s sub-par Count Dracula very much echoes my own). In summary, this is an excellent book for real horror buffs and all thoughtful film fans, so please don’t miss it.

This updated edition now sits proudly beside the hardback versions of English & Euro Gothic on my bookshelf . It’s beautifully presented and illustrated but more importantly bigger with even more films covered .If you’ve read any of Rigby’s previous books you know what to expect and you won’t be disappointed . I defy anyone to show me a better examination of the films mentioned in this book . Although , as ever , this new edition features quite a few films that have slipped under my radar so thanks Jonathan, I’m going to start searching right now .

If you're a Horror Movie fan then this is the go to book for all you need to know about the American contribution to this genre. Jonathan Rigby writes in a very eloquent, informative entertaining style! His love and enthusiasm for the subject matter shines thru and in my opinion he's one of the most eminent authorities on this subject. Well worth the purchase!