---
product_id: 581471
title: "Garry Winogrand"
price: "¥72302"
currency: JPY
in_stock: true
reviews_count: 13
url: https://www.desertcart.jp/products/581471-garry-winogrand
store_origin: JP
region: Japan
---

# Garry Winogrand

**Price:** ¥72302
**Availability:** ✅ In Stock

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- **What is this?** Garry Winogrand
- **How much does it cost?** ¥72302 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.jp](https://www.desertcart.jp/products/581471-garry-winogrand)

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## Description

Widely regarded as one of the most important photographers of the 20th century, Garry Winogrand (1928–1984) did much of his best-known work in Manhattan during the 1960s, becoming an epic chronicler of that tumultuous decade. But Winogrand was also an avid traveler and roamed extensively around the United States, bringing exquisite work out of nearly every region of the country. This landmark retrospective catalogue looks at the full sweep of Winogrand’s exceptional career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as the most substantial compendium of Winogrand’s work to date. Lavishly illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.

Review: A MUST-HAVE book for so many reasons! - First of all, it's an unbelievably fascinating book, not only for the photo art of Winogrand, but the behind-the-scenes, background information, the in-depth analysis, the text that goes with it, and the collection of photos.....it's all superb. And the quality of paper and book binding is all high-end. Just reading the first few pages and studying the plates that are being referenced, has influenced my own photo work, especially the "darkroom" techniques I can see in the images. If you're a serious student of photography, you must have this book. If you're interested in art history and modern photography in particular, get this book. If you just want it to sit on your coffee table and stir up conversation, get this book! It's big. It's hardbound. It's a must-have book and when you get, it I'm sure you'll come up with plenty of your own reasons why!
Review: How much Winogrand is too much Winogrand? - The last major retrospective of Gary Winogrand's work was published in 1988, with John Szarkowski, the aging but still authoritative god of photography as the editor and essayist--and the most notable disclosure in that work was that Winogrand died with a freezer full of exposed film--2,500 rolls--plus thousands more rolls of work never really edited or printed--and that Winogrand, at the end, didn't even care enough to hold the camera steady. The view given by Szarkowski seemed to be that no one in their right mind would ever stagger through Winogrand's every last frame, just to see what was there, and that much of what the man saw would never be seen again. Twenty five years later, a team of dedicated scholars have proven Szarkowski wrong (much to his posthumous delight, I'm sure)--this very thick and heavy volume is teaming with Winogrands never seen in print before, presented in parings and sequences that delight the eye. I'm old enough to remember (as a child) much of the world that Winogrand photographed (almost old enough for a reprise of the Tom Lehr joke about Mozart--when he was my age, he'd been dead for two years), and am amazed at how he captured not just the surface, but he essence of the eras he lived through. While some of the other reviewers have complained about how the new images are being printed from digital scans of the negatives, I have no problem with this way of presenting the images, at least in book form--first, all the images in the book are reproduced in duo-tone, and are based on electronic scans--and secondly, I suspect that the complaints are being registered by those who never experienced the "donkey-work" involved in processing silver materials--and worth noting is that Winogrand always processed his own film, but he didn't print even work prints after 1971--I'm grateful for the new digital technology, especially the ability to scan an entire "contact sheet" of a roll of film, and very quickly invert and enlarge the images--I don't think we would have this new look at Wiongrand's work without this change. Secondly, I don't think Winogrand every really gave much of a damn about printing--I own one of his "finished prints", which I'm certain was produced by a custom printer and signed later in a batch--but I'm glad that Winogrand spent his time making new images, and not in the darkroom, cranking out print after print of the same images, trying to meet what his gallery considered what the market would bear... I haven't seen the show hanging on the wall--maybe the new digital images are weaker in that form--but once again, I don't have a problem with work being presented in any form, just so we can see it... I feel, at the end of scanning this book for the first time, like I've just had one of the best meals ever--one photograph more would be too much. I can't imagine a better book of his work. My advice--buy this book--now.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #1,384,992 in Books ( See Top 100 in Books ) #878 in Individual Photographer Monographs |
| Customer Reviews | 4.5 out of 5 stars 72 Reviews |

## Images

![Garry Winogrand - Image 1](https://m.media-amazon.com/images/I/81PTAj8aveL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A MUST-HAVE book for so many reasons!
*by A***R on May 5, 2014*

First of all, it's an unbelievably fascinating book, not only for the photo art of Winogrand, but the behind-the-scenes, background information, the in-depth analysis, the text that goes with it, and the collection of photos.....it's all superb. And the quality of paper and book binding is all high-end. Just reading the first few pages and studying the plates that are being referenced, has influenced my own photo work, especially the "darkroom" techniques I can see in the images. If you're a serious student of photography, you must have this book. If you're interested in art history and modern photography in particular, get this book. If you just want it to sit on your coffee table and stir up conversation, get this book! It's big. It's hardbound. It's a must-have book and when you get, it I'm sure you'll come up with plenty of your own reasons why!

### ⭐⭐⭐⭐⭐ How much Winogrand is too much Winogrand?
*by D***R on April 24, 2013*

The last major retrospective of Gary Winogrand's work was published in 1988, with John Szarkowski, the aging but still authoritative god of photography as the editor and essayist--and the most notable disclosure in that work was that Winogrand died with a freezer full of exposed film--2,500 rolls--plus thousands more rolls of work never really edited or printed--and that Winogrand, at the end, didn't even care enough to hold the camera steady. The view given by Szarkowski seemed to be that no one in their right mind would ever stagger through Winogrand's every last frame, just to see what was there, and that much of what the man saw would never be seen again. Twenty five years later, a team of dedicated scholars have proven Szarkowski wrong (much to his posthumous delight, I'm sure)--this very thick and heavy volume is teaming with Winogrands never seen in print before, presented in parings and sequences that delight the eye. I'm old enough to remember (as a child) much of the world that Winogrand photographed (almost old enough for a reprise of the Tom Lehr joke about Mozart--when he was my age, he'd been dead for two years), and am amazed at how he captured not just the surface, but he essence of the eras he lived through. While some of the other reviewers have complained about how the new images are being printed from digital scans of the negatives, I have no problem with this way of presenting the images, at least in book form--first, all the images in the book are reproduced in duo-tone, and are based on electronic scans--and secondly, I suspect that the complaints are being registered by those who never experienced the "donkey-work" involved in processing silver materials--and worth noting is that Winogrand always processed his own film, but he didn't print even work prints after 1971--I'm grateful for the new digital technology, especially the ability to scan an entire "contact sheet" of a roll of film, and very quickly invert and enlarge the images--I don't think we would have this new look at Wiongrand's work without this change. Secondly, I don't think Winogrand every really gave much of a damn about printing--I own one of his "finished prints", which I'm certain was produced by a custom printer and signed later in a batch--but I'm glad that Winogrand spent his time making new images, and not in the darkroom, cranking out print after print of the same images, trying to meet what his gallery considered what the market would bear... I haven't seen the show hanging on the wall--maybe the new digital images are weaker in that form--but once again, I don't have a problem with work being presented in any form, just so we can see it... I feel, at the end of scanning this book for the first time, like I've just had one of the best meals ever--one photograph more would be too much. I can't imagine a better book of his work. My advice--buy this book--now.

### ⭐⭐⭐⭐⭐ A Must for Winogrand Fans
*by E***E on December 26, 2014*

Great companion book to a show that was soooooo crowded it was a waste of time trying to move through the galleries. Many of my favorite images are here (and in the collection of Winogrand books I already have). The scholarship is a good read and the book will occupy your imagination long after you have finished with it.

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*Product available on Desertcart Japan*
*Store origin: JP*
*Last updated: 2026-06-19*