---
product_id: 53226104
title: "Manhunter [DVD]"
price: "¥2845"
currency: JPY
in_stock: true
reviews_count: 11
url: https://www.desertcart.jp/products/53226104-manhunter-dvd
store_origin: JP
region: Japan
---

# Manhunter [DVD]

**Price:** ¥2845
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- **What is this?** Manhunter [DVD]
- **How much does it cost?** ¥2845 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.jp](https://www.desertcart.jp/products/53226104-manhunter-dvd)

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## Description

Former FBI agent Will Graham (William Petersen), who specialises in catching serial killers, is brought out of early retirement to track down a murderer who bludgeons entire families only when the moon is full. Graham's tactic is to enter the mind of the deranged criminal, which turns out to have an enormous emotional strain attached. When he seeks advice from imprisoned psychiatrist/psychopath Dr Lecter (Brian Cox), he ends up endangering himself and his family. Based on the novel which was the precursor to 'Silence of the Lambs'. The 18-minute bonus feature 'Inside Manhunter' is also included.

Review: Recover the mindset. - Manhunter is directed by Michael Mann who also adapts the screenplay from the Thomas Harris novel, Red Dragon. It stars William Petersen, Dennis Farina, Tom Noonan, Joan Allen, Kim Greist, Brian Cox and Stephen Lang. Music is by Michel Rubini and The Reds, and cinematography is by Dante Spinotti. Retired FBI specialist Will Graham is lured back into action to track a serial killer who is killing families, seemingly linked into the lunar cycle. In the process it opens up some old mental wounds that were born out during his last action out in the field........ Before the gargantuan success of Silence of the Lambs, where the name Hannibal the Cannibal moved into pop culture, and before director Michael Mann became a name auteur, often referenced with relish by hungry film students; there was Manhunter, Michael Mann's brilliant adaptation of Thomas Harris' equally brilliant psychological thriller, Red Dragon. It feels a bit redundant now, years later, writing about Mann's use of styles to bear out mood and psychological states, his framing devices, his commitment to his craft, but after revisiting the film on Blu-ray, I find myself once again simultaneously invigorated and unnerved by the magnificence of Manhunter. Visually, thematically and narratively it remains a clinical piece of cinema, a probing study of madness that dares to put a serial killer and the man hunting him in the same psychological body, asking us, as well as William Petersen's FBI agent Will Graham, to empathise with Tom Noonan's troubled Tooth Fairy killer. Here's a thing, too, Francis Dolarhyde (The Tooth Fairy) is a functioning member of society, he is quite frankly a man who could be working in a shop near you! This is no reclusive psychopath such as, well, Buffalo Bill, Dolarhyde is presented to us in such a way as we are given insight into this damaged mind, he is fleshed out as a person, we get to know him and his motivational problems. Dream much, Will? Mann and his team are not about over the top or camp performances, gore is kept to a premium, the real horror is shown in aftermath sequences, conversations and harmless photographs, but still it's a nightmarish world. Suspense is wrung out slowly by way of the characterisations. Will has to become the killer, and it's dangerous, he knows so because he has done it before, when capturing Dr. Hannibal Lecktor. Needing to pick up the scent again, to recover the mindset, Will has to go see the good doctor who has a penchant for fine wines and human offal. These scenes showcase Mann at his deadliest, a bright white cell filmed off kilter, each frame switch showing either Lecktor or Graham behind bars, they are one. When Lecktor taunts Will about them being alike, Mann understands this and visually brings it out. Dolarhyde's living abode is murky in colour tones and furnished garishly, and with mirrors, paintings and a lunar landscape, yet when Dolarhyde is accompanied by Joan Allen's blind Reba, where he feels he is finally finding acceptance, this house is seen at ease because of the characterisations. Switch to the finale and it's a walled monstrosity matching that of a killer tipped back over the edge. Brilliant stuff. If one does what God does enough times, one will become as God is. Lecktor, soon to be back as the source material Lecter in the film versions that follow, is actually not in the film that much. Brian Cox (chilling, calculating, frightening and intelligent) as Lecktor gets under ten minutes of screen time, but that's enough, the character's presence is felt throughout the picture in a number of ways. The Lecktor angle is very relative to film's success, but very much it's one strand of a compelling whole, I realise now that Mann has deliberately kept us wanting more of him visually. Noonan is truly scary, he lived away from the rest of the cast during filming, with Mann's joyous encouragement, the end result is one of the best and most complex serial killer characterisations ever. Lang scores high as weasel paparazzi, Allen is heart achingly effective without patronising blind people and Farina is a huge presence as Jack Crawford, Will's friend and boss who coaxes Will back into the fray knowing full well that Will's mind might not make it back with him. But it's Petersen's movie all the way. His subsequent non film career has given ammunition to his knockers that he is no great actor. Rubbish, with this and To Live and Die in L.A. he gave two of the best crime film portrayals of the 80s. He immerses himself in Will Graham, so much so he wasn't able to shake the character off long after filming had wrapped. There's a scene in a supermarket where Will is explaining to his son about his dark place, where "the ugliest thoughts in the world" live, a stunning sequence of acting and a showcase for Petersen's undoubted talents. Newcomers to the film and Mann's work in general, could do no worse than spend the ten minutes it takes to watch the Dante Spinotti feature on the disc. Apart from saving me the time to write about Mann's visual flourishes, it gives one an idea of just how key a director and cinematographer partnership is in a film such as this. The audio is crisp, which keeps alive the perfect in tone soundtrack and eerie scoring strains of Rubini and The Reds. Some say that the music of Manhunter is dated? I say that if it sits at one with the tonal shifts and thematics of a story then that surely can never be viewed as dated. And that's the case here in Manhunter. The director's cut is included as part of the package but the transfer is appalling, and for the sake of one cut scene that happens post the Dolarhyde/Graham face off, there's really not much to the DC version anyway. The theatrical cut is perfect, brilliantly realised on Blu-ray to birth a true visual neo noir masterpiece. 10/10
Review: Manhunter - Way better than silence of the lambs, much more psychological and atmospheric without the gore, really good watch

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B001AOHPZI |
| Actors  | Brian Cox, Dennis Farina, Joan Allen, Kim Greist, William L. Petersen |
| Aspect Ratio  | 16:9 - 2.35:1 |
| Audio Description:  | English |
| Best Sellers Rank | 23,338 in Electronics & Photo ( See Top 100 in Electronics & Photo ) 84 in Portable DVD Players |
| Country of origin  | United Kingdom |
| Customer reviews | 4.6 4.6 out of 5 stars (1,786) |
| Director  | Michael Mann |
| Item model number  | 5055201804242 |
| Language  | English |
| Media Format  | PAL |
| Number of discs  | 1 |
| Producers  | Richard Roth |
| Product Dimensions  | 19 x 14 x 1 cm; 83.16 g |
| Rated  | Suitable for 18 years and over |
| Release date  | 22 Sept. 2008 |
| Run time  | 1 hour and 55 minutes |
| Studio  | Studiocanal |
| Subtitles:  | English |
| Writers  | Michael Mann |

## Product Details

- **Format:** PAL
- **Genre:** Mystery & Thrillers
- **Language:** English
- **Runtime:** 1 hour and 55 minutes

## Images

![Manhunter [DVD] - Image 1](https://m.media-amazon.com/images/I/51KA0ryJGML.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Recover the mindset.
*by S***N on 18 June 2012*

Manhunter is directed by Michael Mann who also adapts the screenplay from the Thomas Harris novel, Red Dragon. It stars William Petersen, Dennis Farina, Tom Noonan, Joan Allen, Kim Greist, Brian Cox and Stephen Lang. Music is by Michel Rubini and The Reds, and cinematography is by Dante Spinotti. Retired FBI specialist Will Graham is lured back into action to track a serial killer who is killing families, seemingly linked into the lunar cycle. In the process it opens up some old mental wounds that were born out during his last action out in the field........ Before the gargantuan success of Silence of the Lambs, where the name Hannibal the Cannibal moved into pop culture, and before director Michael Mann became a name auteur, often referenced with relish by hungry film students; there was Manhunter, Michael Mann's brilliant adaptation of Thomas Harris' equally brilliant psychological thriller, Red Dragon. It feels a bit redundant now, years later, writing about Mann's use of styles to bear out mood and psychological states, his framing devices, his commitment to his craft, but after revisiting the film on Blu-ray, I find myself once again simultaneously invigorated and unnerved by the magnificence of Manhunter. Visually, thematically and narratively it remains a clinical piece of cinema, a probing study of madness that dares to put a serial killer and the man hunting him in the same psychological body, asking us, as well as William Petersen's FBI agent Will Graham, to empathise with Tom Noonan's troubled Tooth Fairy killer. Here's a thing, too, Francis Dolarhyde (The Tooth Fairy) is a functioning member of society, he is quite frankly a man who could be working in a shop near you! This is no reclusive psychopath such as, well, Buffalo Bill, Dolarhyde is presented to us in such a way as we are given insight into this damaged mind, he is fleshed out as a person, we get to know him and his motivational problems. Dream much, Will? Mann and his team are not about over the top or camp performances, gore is kept to a premium, the real horror is shown in aftermath sequences, conversations and harmless photographs, but still it's a nightmarish world. Suspense is wrung out slowly by way of the characterisations. Will has to become the killer, and it's dangerous, he knows so because he has done it before, when capturing Dr. Hannibal Lecktor. Needing to pick up the scent again, to recover the mindset, Will has to go see the good doctor who has a penchant for fine wines and human offal. These scenes showcase Mann at his deadliest, a bright white cell filmed off kilter, each frame switch showing either Lecktor or Graham behind bars, they are one. When Lecktor taunts Will about them being alike, Mann understands this and visually brings it out. Dolarhyde's living abode is murky in colour tones and furnished garishly, and with mirrors, paintings and a lunar landscape, yet when Dolarhyde is accompanied by Joan Allen's blind Reba, where he feels he is finally finding acceptance, this house is seen at ease because of the characterisations. Switch to the finale and it's a walled monstrosity matching that of a killer tipped back over the edge. Brilliant stuff. If one does what God does enough times, one will become as God is. Lecktor, soon to be back as the source material Lecter in the film versions that follow, is actually not in the film that much. Brian Cox (chilling, calculating, frightening and intelligent) as Lecktor gets under ten minutes of screen time, but that's enough, the character's presence is felt throughout the picture in a number of ways. The Lecktor angle is very relative to film's success, but very much it's one strand of a compelling whole, I realise now that Mann has deliberately kept us wanting more of him visually. Noonan is truly scary, he lived away from the rest of the cast during filming, with Mann's joyous encouragement, the end result is one of the best and most complex serial killer characterisations ever. Lang scores high as weasel paparazzi, Allen is heart achingly effective without patronising blind people and Farina is a huge presence as Jack Crawford, Will's friend and boss who coaxes Will back into the fray knowing full well that Will's mind might not make it back with him. But it's Petersen's movie all the way. His subsequent non film career has given ammunition to his knockers that he is no great actor. Rubbish, with this and To Live and Die in L.A. he gave two of the best crime film portrayals of the 80s. He immerses himself in Will Graham, so much so he wasn't able to shake the character off long after filming had wrapped. There's a scene in a supermarket where Will is explaining to his son about his dark place, where "the ugliest thoughts in the world" live, a stunning sequence of acting and a showcase for Petersen's undoubted talents. Newcomers to the film and Mann's work in general, could do no worse than spend the ten minutes it takes to watch the Dante Spinotti feature on the disc. Apart from saving me the time to write about Mann's visual flourishes, it gives one an idea of just how key a director and cinematographer partnership is in a film such as this. The audio is crisp, which keeps alive the perfect in tone soundtrack and eerie scoring strains of Rubini and The Reds. Some say that the music of Manhunter is dated? I say that if it sits at one with the tonal shifts and thematics of a story then that surely can never be viewed as dated. And that's the case here in Manhunter. The director's cut is included as part of the package but the transfer is appalling, and for the sake of one cut scene that happens post the Dolarhyde/Graham face off, there's really not much to the DC version anyway. The theatrical cut is perfect, brilliantly realised on Blu-ray to birth a true visual neo noir masterpiece. 10/10

### ⭐⭐⭐⭐⭐ Manhunter
*by J***N on 19 February 2026*

Way better than silence of the lambs, much more psychological and atmospheric without the gore, really good watch

### ⭐⭐⭐⭐ Great Movie!
*by R***A on 18 September 2013*

I must admit I was not sure what to expect sitting down to watch this movie for the first time,I had seen the three Anthony Hopkins Hannibal Lecter movies before this and it looked very different so I was skeptical at first.I finaly sat down to watch it and based on both versions in this special edition (I have heard there are a few different versions of this movie), this has become one of my favourite Lecter movies.William Petersen brings a wonderful intensity to the role of Will Graham, I particularly like his performance in the scene where he is telling his son how he caught Lecter and starts to tear up when he tells him that Lecters thoughts are "the ugliest thoughts in the world".Tom Noonan is a great Francis Dolerhyde effectively inspiring fear in his scene with Freddie Lounds and sympathy in his scenes with Reba.Now as for Brian Cox as Hannibal Lektor I would say that of all 4 actors to have played this role at this point I think Cox's potrayal is the most like someone you are likely to actually know,he seems the most realistic version, an abnoxious, smug, fast talking jerk who seems the most like somebody you could probably have met, which is quite disturbing when you think about Lektors crimes.In conclusion I really like this movie.

## Frequently Bought Together

- Manhunter [DVD]
- Hannibal Rising [DVD]
- Hannibal [DVD]

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*Store origin: JP*
*Last updated: 2026-03-21*