The Devil Probably, Le diable probablement (1977) Eng,Es,Ita,Jp Sub by Robert Bresson French Film / 2024 REMASTER DVD - NTSC, All RegionCharles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...★ Berlin International Film Festival 1977 WinnerDirector: Robert BressonWriter: Robert BressonStars: Antoine Monnier, Tina Irissari, Henri de Maublanc✔ Region : 0 (all Region, Region Free) - Can be played in any country✔ Format : NTSC (1.85:1) Color✔ Running Time : 93 Min✔ Sound : Dolby Digital 2.0✔ LANGUAGE : FRENCH✔ SUBTITLE : ENGLISH,SPANISH,ITALIAN,JAPANESE, KOREAN, NONE- Story line -Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...
D**N
Late Bresson
Sometimes, the outward manner of a work of art (the "style" or "form") may be incredibly rigorous and intensely stylized, yet the thematic concerns (the "story" or "content") may be wildly disorganized, almost anarchic. It may seem a heresy to say this of Robert Bresson, but after UNE FEMME DOUCE (1969), his concentration on youth and his determined pessimism led him into a series of increasingly fragmented works, perhaps mirroring his fractured sense of the world.THE DEVIL, PROBABLY is surely one of the most schizoid film in Bresson's career: there are (literally) unleavened chunks of didactic discourse, droning lectures over immaculately edited stock footage showing atrocities done to animals (baby seals, etc.) and the planet. The "message" isn't even subtle: Bresson wants to clobber his viewer with his vision of a planet gone beyond redemption, now in the throes of degradation and destruction. Yet Bresson lingers over his youthful protagonists, in their (deliberately) blank ambiguity (innocence? inexperience?), and he allows the camera to catch them in moments which come perilously close to emotion.The fracture in the movie's structure is symptomatic of what seems to be an almost hysterical need to make a statement on Bresson's part (and he was never known for didacticism before). Yet, as photographed by Pasqualino De Santis, this is one of Bresson's most seductively tacticle works, with the lighting seeming to irradiate most of the scenes.The late 1960s and early 1970s seemed to be a time when many in the French cinema were driven to make apocalyptic fantasies: Godard with ALPHAVILLE and WEEKEND, Truffaut with FAHRENHEIT 451, Louis Malle with BLACK MOON, Alain Resnais with JE T'AIME JE T'AIME, even Jacques Demy with THE PIED PIPER. But Bresson didn't turn towards science fiction for his apocalypse: he turned to science fact, and let the facts speak for themselves to come up with this vision of hell on earth.
M**G
Late Bresson movie
In The Devil Probably (1977) we follow Charles, young and alienated and probably searching for a meaning of life, or maybe he has given up on that. Like other Bresson movies like L'Argent, the actions and intentions of the protagonist is not always totally clear, at least not to me. Bresson does not give us an easy or mainstream story played by mainstream actors. Instead he gives us his vision of the world and society. Here he also uses what he calls "models" insetad of "actors", that is the actors are just to deliver the lines and not really act by displaying emotions and so on.As I see it, Charles problem is not just as he says: that he sees things too clearly. That is, he sees all the bad stuff in the world and therefore can't find any meaning in anything: environmental pollution, the list of things you "have to do" like raising a family, education, work and so on makes him sick and bored near death. Charles is a slacker in the 1970s, and he refuses to contribute to the society he finds so rotten (but he clearly has no problem using others money). But clearly Charles also has got problems relating to other people. He finds himself "superior" and more intelligent than others (and feelings of "superiority" is a theme in Bressons earlier Pick Pocket). And therefore he don't really care for others, despite his idealism with books about "saving the planet". The other characters are more caring about each other - and for Charles. (Maybe Charles is even a sort of fascist?) I won't go into the ending here as it may spoil the experience. This dark movie demands some reflection afterwards.The DVD from AE has very clear and stable picture. There are no extras, but at a price of 8GBP it is very good value for money.
L**N
One of Bresson's strange movies
It is more a philosophical tale than an actual story that Bresson has filmed. A christic figure passes through the whole feature making us think about the meaning of life. Vivid and profound. A must see. Do not be alarmed by the way the 'actors' perform their role. It was Bresson's method to use them as tools, directing their every attitude and gesture.
A**R
Five Stars
Excellent item, prompt shipment. Thanks.
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