Men Explain Things to Me Paperback – September 1, 2015

Having read the feminist works of the 1960s and 1970s plus a few new articles each year, I didn't think there was much that was unique being written. However I seem to have missed quite a bit.Rebecca Solnit is the author of several books of essays, all of which sound very interesting. Men Explain Things to Me, the title essay, is fun to read. It will resonate with almost every woman who has been out in the world in the last 50 years. The essays that follow in this short volume are remarkable for their clarity and insight. I am glad I read this.

I bought this book for my brother-in-law shortly after my sister gave birth to a daughter. I thought it would be a fun “Hey, you have a daughter, this might be a good thing to start thinking about”-type gift. And so he didn’t feel totally alone while reading it, I bought myself a copy as well.Solnit is clearly a powerful mind and talented writer. Her prose is strong and forceful, and she writes with stirring— at times contagious—- conviction. The book’s most powerful essays (“Men Explain Things To Me” and “#YesAllWomen”) are intelligent, clear-sighted looks at a massive, difficult, dangerous topic. It’s saddens me to applaud Solnit for her courage in writing this, if only because that acknowledges the typical backlash against women who speak out against misogyny, but she IS courageous and that alone warrants commendation.The book starts out with a funny, almost playful anecdote about being mansplained to by a pompous idiot at a party in Aspen, but then quickly moves into darker waters. Solnit goes on to use politics, art, history and new media as springboards for discussing the interconnectedness of cultural misogyny and how mansplaining and rape can be viewed as existing on a continuum. Towards the end of the book she summarizes this nicely: “It’s a slippery slope. That’s why we need to address the slope, rather than compartmentalizing the varieties of misogyny and dealing with them separately.” (p. 134) It’s a new way of looking at an ancient problem, articulated in a way that I don’t think I’ve heard before, and Solnit rounds out her case by anticipating counter arguments (i.e. men being falsely imprisoned for rape) and responding to them to the degree that they deserve.So here’s the part where I complain: While her arguments are culturally important and her writing is strong, Solnit’s rhetoric seems, at times, deliberately hyperbolic and meant to divide readers. On pg. 57 she describes the case of Ariel Castro, a man accused of imprisoning, torturing and sexually abusing three women as being “a vicious version of the traditional [marriage] arrangement.” Later on in the book (p. 153) she takes a similar swipe at capitalism: “There’s more that we need to be liberated from… a system that serves environmental destruction and limitless consumption…” And beyond that there’s a general celebration of revolution, (non-violent) anarchy, as well as Solnit’s insistence that this is, indeed, “a war.” In other words, if you’re traditional / conservative / old-fashioned, then chances are you’re probably going to feel pretty alienated while reading this, if not all out attacked. I don’t consider myself conservative, but there were still times when I felt myself getting defensive. With that said, I was less annoyed with this on ideological terms than I was by what felt like a tactical mis-step. Simply put: This is a wise book. This is an important book. A lot of people should be reading it and absorbing it's message. And I could suddenly feel thousands of readers— good people who’s minds are ready to be expanded— fleeing from it’s very positive message, because they were being lumped in with rapists and murderers. I was frustrated because I felt like the book was preaching to the choir and, in-so-doing, entrenching conservatives deeper into their current belief systems.One could argue that this book isn't intended to convert and so it's unfair to judge it by those standards; that it’s a celebration and reminder of what’s already been accomplished in the fight for gender equality, and that now it’s up to someone else to write the gentler, more palatable book that eases The Other Side into progressive thinking. And you know what— that may very well be the case. In the meantime, I encourage conservative thinkers who are interested in reading this to do so with an open mind instead of just looking for things to disagree with. Because the fact of the matter is that the vast majority of what’s discussed in this book really has nothing to do with superficial left / right politics and everything to do with how we want our nieces/daughters to be treated as they grow up in the world. And that feels like something we can all agree on.

Rebecca Solnit is indignant. And she has every right to be. She also has a sense of humor, which effectively leavens her anger. But make no mistake—her articulate and evocative writing in this collection of nine previously published (mostly online) essays is fueled by a keen sense of social justice, especially (but not exclusively) as it pertains to gender.Perhaps best known for the title essay, she relates the frustratingly bizarre and insulting social interaction that occasioned her writing it. This edition includes a coda that addresses the rise in the use of the term "mansplaining," for which she disavows complete credit while helping to focus the meaning of the word.Like any effective writer, Solnit supports her arguments (and there are many worth noting) with facts, details, and references. Unfortunately, for anyone wishing to follow up on these references, she omits documentation of her sources, explaining in the Acknowledgments that doing so would have resulted in innumerable “ponderous” footnotes. She does mention that the source citations are available in the online versions of these essays, which is a minor inconvenience.Despite the brevity of these essays (none exceeds 20 pages), they are indeed powerful and eye-opening declarations. Just try to read “The Longest War” without getting peeved. “Cassandra Among the Creeps” is likewise infuriating. She also provides some much-needed context for the #MeToo movement (which originated after this book’s publication in 2014) with her analysis of the #YesAllWomen movement in the essay of the same name, subtitled “Feminists Rewrite the Story.” One motif that informs every essay in this collection is Solnit’s belief in words, the power they wield, and the power afforded to those brave enough to use them. If you want to know what feminism sounds like in the 21st century, read this book.