---
product_id: 165002266
title: "fp Mirrorless Full-Frame Digital Camera with 45mm f/2.8 Contemporary DG DN Lens"
brand: "sigma"
price: "¥775732"
currency: JPY
in_stock: true
reviews_count: 13
category: "Sigma"
url: https://www.desertcart.jp/products/165002266-fp-mirrorless-full-frame-digital-camera-with-45mm-f-2
store_origin: JP
region: Japan
---

# 18 FPS continuous shooting 4K UHD video recording 24.6MP full-frame sensor fp Mirrorless Full-Frame Digital Camera with 45mm f/2.8 Contemporary DG DN Lens

**Brand:** sigma
**Price:** ¥775732
**Availability:** ✅ In Stock

## Summary

> 🎬 Elevate your craft with the Sigma fp — where cinema meets portability.

## Quick Answers

- **What is this?** fp Mirrorless Full-Frame Digital Camera with 45mm f/2.8 Contemporary DG DN Lens by sigma
- **How much does it cost?** ¥775732 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.jp](https://www.desertcart.jp/products/165002266-fp-mirrorless-full-frame-digital-camera-with-45mm-f-2)

## Best For

- sigma enthusiasts

## Why This Product

- Trusted sigma brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact & Rugged Design:** Lightweight, splash-proof magnesium body built for on-the-go creators who demand durability without bulk.
- • **Versatile L-Mount Compatibility:** Seamlessly switch lenses to match every creative vision, from sharp portraits to expansive landscapes.
- • **Pro-Level Autofocus & Stabilization:** Hybrid AF with continuous servo and electronic image stabilization ensures crisp, smooth shots in any scenario.
- • **4K UHD Video with 12-bit RAW Support:** Create stunning cinematic content with rich color depth and dynamic range—your storytelling just got a major upgrade.
- • **Cinematic-grade 24.6MP Full-Frame Sensor:** Capture ultra-detailed, vibrant images that stand out in any professional portfolio.

## Overview

The Sigma fp Mirrorless Camera pairs a 24.6MP full-frame BSI CMOS sensor with a versatile 45mm f/2.8 Contemporary DG DN lens, delivering exceptional image quality and 4K UHD video recording up to 29.97p. Designed for hybrid shooters and filmmakers, it features a compact, splash-proof magnesium body, hybrid autofocus, electronic image stabilization, and compatibility with the L-Mount lens system. Ideal for professionals seeking a lightweight yet powerful cinema-capable camera with advanced 12-bit RAW video capture.

## Description

35mm full-frame back-illuminated 24.6MP Bayer sensor UHD 4K (3840 x 2160) recording up to 29.97p 3.15-inch (3:2) touch screen LCD for intuitive operation Electronic image stabilization (EIS) function Large-size magnesium heat sink between LCD and camera Employs a full-time electronic shutter Instantly switch between Still to Cine mode Offers Single AF, Continuous AF, and Manual Focus Sealed for dust- and splash-proof performance Sigma 45mm f/2.8 Contemporary DG DN lens

Review: Full frame - Great hybrid camera Native lens selection is still limited.
Review: Ignore the odd bad reviews of “streamers” and such - As someone who owns an Alexa mini, a red Komodo, and this, I can honestly say the FP is designed much more as a cinema camera than stills. If you’re looking for a dual use camera, it works ok for stills but the AF is lacking and there are many more cameras at a similar price that can offer better photography ergonomics. However in cinema mode this camera is a beast with a little T5 or T7 external disk attached to shoot 4K 12bit RAW. It has amazing color rendition and the high light recover is great. The complains from people about this camera for video have been file size or lack of LOG. Yes lack of log is annoying, but with newest firmware 4.0 your false color finally accurately lets you know what your highlights really are. The processing power is lacking for the screen which means you’re always video an 8bit highlight crushed image. This pushed a lot of people away thinking it had horrible dynamic range. This is anything but. Drop a 12bit raw image into resolve and you can pull back almost 4 stops of highlights that the image makes it seem like is completely gone. This is due to the lack of log which so many people are used to seeing their highlights already “recovered”. This is an extra step before you can accurately see your highlight levels. However with all this said, the new false color makes this problem all go away. Although you can’t truly monitor it all the time in false color, it allows you to quickly check highlights and indeed you have about 3.5 extra stops to where on your screen you think you’ve already blown them. Annoying, yes, but it’s a compromise for the size of the camera and other image quality. In the end, cutting between Alexa footage isn’t that big of a leap. There’s tons of dynamic range and the colors are very pleasing and smooth. You DO need to know what you’re doing with this camera. It’s not a point and shoot camera. You need to understand it’s just a sensor block and raw output. You need a post workflow to truly see this camera shine. Once you’ve realized the average person who gives negative reviews on this camera is one that is used to low end point and shoot video or similar, you’ll realize these negative reviews are just from people who don’t know how to utilize this camera. It’s not perfect, yet for the job you need it to do for cinematography, it’s actually amazing. There are some short films shot with this camera that are just beautiful and you’d never know it wasn’t shot on something more advance. One last thing. You MUST record using external drives and 12bit raw settings to get the most out of this camera because of the lack of log. You miss out on the highlight recover even at 10bit. So if you test at 10, and aren’t happy, that’s why. Once you’re in 12bit mode, the entire full range of the cameras dynamic range completely changes. No real rolling shutter to speak of, no overheating, you can rig it to be as large as you want with a few cage options. PL adapter, etc. Also if you’re worried about the huge 12bit files going to an ssd, for about $400 you can record ProRes RAW using a Ninja V. You get to keep all the lovely dynamic range and info, but in a compressed raw format that’s much more manageable. This camera is not for photographers, it’s a digital pocket cinema camera that can produce amazing images if you play by it’s rules.

## Features

- SUPERB IMAGE QUALITY - Capture stunning detail with the 24.6MP full-frame CMOS sensor, ensuring exceptional clarity and vibrant colors in every shot, perfect for professional photography.
- VERSATILE LENS OPTIONS - Explore creative possibilities with the L-Mount system, compatible with a wide range of high-quality lenses, allowing you to adapt to any shooting scenario with ease.
- EXCEPTIONAL LOW LIGHT - Achieve clean, detailed images even in challenging lighting conditions, thanks to the camera's impressive ISO range, expandable up to 102400 for remarkable performance.
- PROFESSIONAL VIDEO CAPABILITIES - Record high-resolution 4K UHD video with various frame rates, offering filmmakers the flexibility to create stunning cinematic content with exceptional clarity.
- COMPACT AND DURABLE DESIGN - Experience the perfect blend of portability and robustness, with a splash-proof structure and lightweight body, ideal for on-the-go shooting in diverse environments.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B07YV8SH3R |
| Age Range Description | All Ages |
| Aperture modes | F2.8 |
| Are Batteries Included | Yes |
| Aspect Ratio | 21:9 |
| Auto Focus Technology | Hybrid |
| Autofocus | Yes |
| Autofocus Points | 49 |
| Best Sellers Rank | #471,860 in Electronics ( See Top 100 in Electronics ) #1,619 in Mirrorless Cameras |
| Bit Depth | 12 Bit |
| Brand | Sigma |
| Built-In Media | Instruction Manual |
| Camera Flash | F2.8 |
| Camera Lens | Sigma 45mm f/2.8 Contemporary DG DN Lens |
| Color | Black |
| Compatible Devices | Devices with Sigma E mount and USB connectivity |
| Compatible Mountings | Leica L |
| Connectivity Technology | USB |
| Continuous Shooting | 18 FPS |
| Crop Mode | 21:9 |
| Customer Reviews | 4.5 4.5 out of 5 stars (67) |
| Digital-Still | Yes |
| Display Type | LCD |
| Dots Per Screen | [Lower End] |
| Effective Still Resolution | 24.6 |
| Expanded ISO Maximum | 25600 |
| Expanded ISO Minimum | 50 |
| Exposure Control | Manual, Shutter Priority |
| File Format | Cinema DNG |
| Flash Memory Bus Interface Type | UHS-II |
| Flash Memory Type | SDXC |
| Flash Memory UHS Speed Class | UHS-II |
| Flash Memory Video Speed Class | V30 |
| Flash Modes | Auto, On/Fill, Off |
| Flash Sync Speed | 1/200 or 1/250 |
| Focus Features | Autofocus |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | Manual Focus |
| Form Factor | Mirrorless |
| Hardware Interface | AV Port |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image stabilization | Digital |
| Item Weight | 637 Grams |
| JPEG Quality Level | Basic, Fine, Normal |
| Lens Construction | 11 elements in 9 groups |
| Lens Correction Type | Chromatic Aberration |
| Lens Type | 45mm F2.8 |
| Manufacturer | Sigma |
| Maximum Aperture | 2.8 f |
| Maximum Focal Length | 45 Millimeters |
| Maximum Image Size | 4963 Pixels |
| Maximum Shutter Speed | 30 seconds |
| Minimum Focal Length | 45 Millimeters |
| Minimum Shutter Speed | 30 Seconds |
| Model Name | fp Mirrorless |
| Model Number | 937317 |
| Model Series | fp Series |
| Movie Mode | Yes |
| Night vision | No |
| Number of Diaphragm Blades | 7 |
| Photo Sensor Resolution | 24.6 MP |
| Photo Sensor Size | Full Frame (35mm) |
| Real Angle Of View | 43.6 Degrees |
| Recording Capacity | 320 Minutes |
| Remote Included | No |
| Screen Size | 3.15 Inches |
| Self Timer | 10 Seconds |
| Sensor Type | BSI |
| Series Number | 1 |
| Shooting Modes | Manual |
| Skill Level | Amateur |
| Special Feature | Lightweight |
| Supported Image Format | JPEG, RAW (Cinema DNG) |
| Total Still Resolution | 98.4 MP |
| Total USB 2.0 Ports | 2 |
| Total USB 3.0 Ports | 2 |
| Total USB Ports | 1 |
| Touch Screen Type | Capacitive |
| UPC | 085126937317 |
| Video Capture Format | 4k |
| Video Resolution | 2160p |
| Viewfinder | Electronic |
| White Balance Settings | Auto |
| Wireless Technology | Wi-Fi |
| Write Speed | Good write speed |

## Product Details

- **Aspect Ratio:** 21:9
- **Brand:** Sigma
- **Compatible Mountings:** Leica L
- **Expanded ISO Minimum:** 50
- **Image Stabilization:** Digital
- **Maximum Aperture:** 2.8 f
- **Maximum Focal Length:** 45 Millimeters
- **Model Name:** fp Mirrorless
- **Photo Sensor Technology:** BSI
- **Supported File Format:** Cinema DNG

## Images

![fp Mirrorless Full-Frame Digital Camera with 45mm f/2.8 Contemporary DG DN Lens - Image 1](https://m.media-amazon.com/images/I/61XpT4fXwRL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Full frame
*by G***. on January 10, 2020*

Great hybrid camera Native lens selection is still limited.

### ⭐⭐⭐⭐⭐ Ignore the odd bad reviews of “streamers” and such
*by S***1 on June 23, 2022*

As someone who owns an Alexa mini, a red Komodo, and this, I can honestly say the FP is designed much more as a cinema camera than stills. If you’re looking for a dual use camera, it works ok for stills but the AF is lacking and there are many more cameras at a similar price that can offer better photography ergonomics. However in cinema mode this camera is a beast with a little T5 or T7 external disk attached to shoot 4K 12bit RAW. It has amazing color rendition and the high light recover is great. The complains from people about this camera for video have been file size or lack of LOG. Yes lack of log is annoying, but with newest firmware 4.0 your false color finally accurately lets you know what your highlights really are. The processing power is lacking for the screen which means you’re always video an 8bit highlight crushed image. This pushed a lot of people away thinking it had horrible dynamic range. This is anything but. Drop a 12bit raw image into resolve and you can pull back almost 4 stops of highlights that the image makes it seem like is completely gone. This is due to the lack of log which so many people are used to seeing their highlights already “recovered”. This is an extra step before you can accurately see your highlight levels. However with all this said, the new false color makes this problem all go away. Although you can’t truly monitor it all the time in false color, it allows you to quickly check highlights and indeed you have about 3.5 extra stops to where on your screen you think you’ve already blown them. Annoying, yes, but it’s a compromise for the size of the camera and other image quality. In the end, cutting between Alexa footage isn’t that big of a leap. There’s tons of dynamic range and the colors are very pleasing and smooth. You DO need to know what you’re doing with this camera. It’s not a point and shoot camera. You need to understand it’s just a sensor block and raw output. You need a post workflow to truly see this camera shine. Once you’ve realized the average person who gives negative reviews on this camera is one that is used to low end point and shoot video or similar, you’ll realize these negative reviews are just from people who don’t know how to utilize this camera. It’s not perfect, yet for the job you need it to do for cinematography, it’s actually amazing. There are some short films shot with this camera that are just beautiful and you’d never know it wasn’t shot on something more advance. One last thing. You MUST record using external drives and 12bit raw settings to get the most out of this camera because of the lack of log. You miss out on the highlight recover even at 10bit. So if you test at 10, and aren’t happy, that’s why. Once you’re in 12bit mode, the entire full range of the cameras dynamic range completely changes. No real rolling shutter to speak of, no overheating, you can rig it to be as large as you want with a few cage options. PL adapter, etc. Also if you’re worried about the huge 12bit files going to an ssd, for about $400 you can record ProRes RAW using a Ninja V. You get to keep all the lovely dynamic range and info, but in a compressed raw format that’s much more manageable. This camera is not for photographers, it’s a digital pocket cinema camera that can produce amazing images if you play by it’s rules.

### ⭐⭐⭐⭐⭐ Tiny Full Frame beast!
*by A***. on December 25, 2019*

18 FPS Continuous shooting Face/Eye Detection HDR Shooting 12-bit Cinema DNG Tiny Full Frame beast!

## Frequently Bought Together

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*Product available on Desertcart Japan*
*Store origin: JP*
*Last updated: 2026-03-14*