---
product_id: 1427922
title: "Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon"
brand: "kenko"
price: "¥135354"
currency: JPY
in_stock: true
reviews_count: 8
category: "Kenko"
url: https://www.desertcart.jp/products/1427922-tokina-af-100mm-f-2-8-macro-at-x-100af
store_origin: JP
region: Japan
---

# 11.8 in (30 cm) minimum focus distance 1:1 life-size macro ratio One Touch Focus Clutch mechanism Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon

**Brand:** kenko
**Price:** ¥135354
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your macro game—where precision meets pro-level versatility!

## Quick Answers

- **What is this?** Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon by kenko
- **How much does it cost?** ¥135354 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.jp](https://www.desertcart.jp/products/1427922-tokina-af-100mm-f-2-8-macro-at-x-100af)

## Best For

- kenko enthusiasts

## Why This Product

- Trusted kenko brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Precision Macro Mastery:** Capture stunning life-size (1:1) details with razor-sharp clarity at just 11.8 inches—perfect for professionals who demand pixel-perfect close-ups.
- • **Seamless Focus Switching:** Effortlessly toggle between manual and autofocus with Tokina’s patented One Touch Focus Clutch for lightning-fast, intuitive control.
- • **Non-Rotating Filter Thread:** Maintain perfect alignment for macro ring flashes and creative filters without the hassle of rotating elements—ideal for flawless lighting setups.
- • **Engineered for Optical Excellence:** Advanced multi-coating and aspherical glass elements minimize aberrations and chromatic distortions, delivering vibrant, true-to-life images every time.
- • **Versatile Full-Frame & DX Compatibility:** Optimized for both DX and full-frame Nikon DSLRs, ensuring flawless performance across your entire camera lineup.

## Overview

The Tokina AF 100mm F/2.8 Macro AT-X 100AF PRO D for Nikon is a professional-grade macro lens delivering life-size (1:1) reproduction at a close 11.8-inch focus distance. Featuring a patented One Touch Focus Clutch mechanism, it allows quick switching between manual and autofocus modes. Compatible with both DX and full-frame Nikon DSLRs, it includes a 55mm non-rotating filter thread for specialized lighting and effects. Engineered with advanced aspherical and super-low dispersion glass elements plus multi-coating, this lens ensures sharp, vibrant images with minimal aberrations, making it a top choice for serious photographers seeking exceptional macro and telephoto performance.

## Description

Tokina Lens AT-XM100PRO D (Nikon Fit)The AT-X 100 PRO D is a macro lens capable of life-sized (1:1) reproduction at 11.8 inches (30 cm). The lens multi-coating has been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today's digital SLR cameras. This lens gives the higher of both worlds because optics still give full coverage and excellent sharpness on 35mm film. A macro lens that can handle both the digital and film worlds with ease. Specifications:Zoom range: 100 mmMaximum aperture: F/2.8 Minimum aperture: F/32 Optical construction: Nine elements in eight GroupsAngle of view: 24 degrees 30' Minimum focus distance: 11.8" (30 cm) Macro ratio: 1:1Focus limiter: 1.28 to infinityNumber of diaphragm blades: 9Filter size: 55 mm Width: 73 mmHeight: 95.1 mm Weight: 19 oz (540 g)Dedicated lens hood includedFocus Limiter SwitchThe AT-X 100 PRO D also has a very convenient focus limiter switch that can lock the focus making it faster to focus when used as a moderate telephoto lens that is excellent portraits as well. Tokina One Touch Focus ClutchTokina One Touch Focus Clutch mechanism for fast easy switching between manual and auto focus. Non-Rotating Filter55 mm non-rotating filter thread for use with macro ring flashes and special effects filters. Tokina Optical TechnologyAspherical OpticsA standard lens is made up of a combination of spherical lens elements. Individual "lenses" within the lens are commonly referred to as "elements". A spherical element has an even curve to the surface of the glass. However, there can be problems with such elements; light entering the centre of the lens and light entering at the edge may not be highly focused at the same point. This is called spherical aberration. More enhanced computer assisted optical designs are creating lenses with more spherical elements. More spherical elements within a lens means a greater risk of spherical aberration having a negative impact on optical quality.Wide-angle zoom lenses and wide-angle lenses with large apertures are especially at risk for spherical aberration.To eliminate spherical aberration, Tokina employs aspherical all-glass elements in many of its optical designs to correct this problem. The aspherical shaped surface of the lens element focuses light rays entering both the centre and edge of the element correctly at the film plane for an accurately focused image. In addition to correcting spherical aberration, these elements fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with a floating element design.Through a close collaboration with Hoya Corporation, the world's largest optical glass manufacturer, Tokina has succeeded in producing high quality precision moulded all glass elements with a greater aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.F&R AsphericalThis lens, the AT-XM100 PRO D encompasses Tokina's new F&R aspherical moulded glass elements. These give outstanding performance with very even illumination in the corners and correction of spherical aberration across the image area.SD Super Low DispersionWhen standard optical glass is used in telephoto lenses, a phenomenon called chromatic aberration can occur. Chromatic aberration is the inherent tendency for glass to disperse (separate) a ray of light into the colors of the rainbow. The rainbow effect created by a glass prism is the most dramatic demonstration of chromatic aberration. In lenses, it is much less pronounced, but still creates slightly out of focus colors, akin to an "optical noise" that has a negative impact on the quality of the picture. To eliminate chromatic aberration, Tokina employs expensive, special glass material having super- low dispersion (SD) properties.Lenses in the Tokina line-up with the SD mark incorporate these Super-Low Dispersion glass elements, minimising the secondary spectrum or optical noise caused by chromatic aberration.HLDTokina's wide-angle and standard zoom lenses feature a higher quality of optical glass known as Tokina HLD (High-refraction, Low Dispersion) glass. Having higher refractive index and lower dispersion properties, HLD glass is far less likely than standard optical glass to create lateral chromatic aberration, which is often a problem with conventionally designed wide-angle lenses.Multi-CoatingReflections off the surface of lens elements are the enemy to any photographer and to every lens manufacturer. They are reduced or eliminated by bonding multiple layers of a transparent anti-reflection chemical to the surface of the glass. Tokina has developed and enhanced a coating technique for all of its optics so that they will maintain faithful color reproduction and render clean, sharp images.Mechanical TechnologyFloating Element SystemWhen designing a lens, Tokina calibrated its astigmatism at all points between minimum focus distance and infinity so that it will give the best image results at all settings. However, when there are large differences between the focus limits, effect calibration is not possible. A floating element system incorporates optical elements that move in proportion to the focus setting of the lens. This allows astigmatism to be corrected. Many Tokina lenses employ floating element systems to provide optimum correction of astigmatism from minimum focus distance to infinity. Internal Focus SystemThe two most used methods of focusing a lens are either the complete straight forward movement of lens elements (used mainly with single focal length lenses) or the rotation of the entire lens barrel group (used mainly with zoom lenses). The internal focusing system used by Tokina move each element group within the lens, but does not change the overall length of the lens. This is especially useful with telephoto designs.The internal focusing system has a number of advantages including;Faster focusingImproved handling due to fewer movements near the centre of gravityMore compact lens designsSuperior use of filters because the barrel with the filter thread does not rotate.Focus Clutch MechanismTokina AT-X PRO series lenses all feature the patented "Focus Clutch" mechanism for switching the lens between auto focus and manual focus modes.The manual focusing ring can move (be snapped) back and forth between an AF and MF position. When the focusing ring is forward in the AF position, it is not engaged to any of the internal focus gearing and will turn freely. Without the added weight of the metal ring the camera can auto focus the lens more quickly and smoothly.For manual focus, simply rotate the focus ring all the way to one side or the other on the focus travel, either infinity or it's closest focusing distance, then pull back (towards the mount plate) on the manual focus ring. While pulling back, rotate the ring from one side of the focus travel to the other. When the gears align, the focus ring will snap back into the MF position and the lens can be focused manually.To return the manual focus ring to auto focus mode, simply snap the ring forward from any point.

Review: which is great. Took the lens for a quick test drive ... - I received the lens today, and was a little concerned about the condition of the Tokina box - one corner had that crinkly-crushed look (small, but still...), and the top flap was popped out of the box. After opening it, however, the lens appeared to be in pristine condition. One sour note was that this did NOT come with a USA warranty from wikideals, but I figured it was no big deal with desertcart's return/exchange policy, which is great. Took the lens for a quick test drive on my D7100... autofocus worked like a charm. The limiter switch made focusing in telephoto mode nearly instantaneous and virtually silent. Macro focus was fairly quick as well, albeit a bit noisy in comparison to telephoto focusing. Not LOUD, mind you, but fairly audible as compared to my Tokina 12-28 and Nikon 55-200. All my daylight shots were taken at ISO 100, with varying F-stops. Initial macro shots were pretty good - I was very pleased for handheld results. I couldn't see any sharpness issues that I could distinguish from depth-of-field issues. Telephoto shots were encouraging, but not quite as sharp as I'd expected. I withheld judgement on both macro and telephoto until I was able to get the camera and lens at home (I was shooting at work), and do some auto-focus fine-tuning using a very handy chart I've been using on all my lenses. As it turned out, I needed to adjust the auto-focus fine-tuning to a -8 setting for this lens to reach top performance. (Not a surprise - Ken Rockwell had mentioned he needed a -10 on his D7000 and a -7 on his D3.) FYI, I also checked DXOMark and compared like lenses before choosing this one, so my sharpness expectations were set pretty high... especially so, since my Tokina F/4 12-28mm DX lens is incredibly sharp at 28mm. (There's minor softness in the corners at 12mm if you pixel-peep.) In fact, at 28mm, my Tokina zoom surpasses all my other lenses in terms of sharpness, with the possible exception of my Nikkor Prime F/1.8 35mm. This new Tokina 100mm, however, may end up in that class as well. After fine-tuning, I ran some macro shots against a quarter on a flat surface, as well as a small dish of jewelry. Macro was outstanding, and I could clearly see depth-of-field issues versus focus issues! Wherever the focus was, was razor-sharp! I also tested a quick test distance shot from across the room (about 20 feet), shooting at a lampshade with the light on. The lampshade is cloth, and I could see individual stitches - heck, I could even see where the fabric had tiny "hairs"! I'll be taking this lens for a test drive several more times this week, but if the above results stand up, then this is likely to become my main medium telephoto lens and not just my macro lens! I'll post a follow-up on the weekend and let you all know how I feel about the telephoto performance of the lens. There's no doubt that as a macro lens, this is stupendous. :) ******************* UPDATE 8/5/2014 ******************* After I wrote this, I couldn't help myself - I ran some more quarter and dime shots using a tripod. This time, however, I ran the F-stop all the way down to F/32... all I can say is that I am absolutely stunned by the macro quality, especially with the lens stopped down. I'm not sure there IS a sweet spot for aperture settings on this lens, at least regarding sharpness! Jury is still out as a telephoto... as I said, I'll update this on or after the weekend. :) ******************* UPDATE 8/5/2014 ******************* No need to wait until the weekend. I decided to take the lens out and take some shots off my back deck at sunset. All my pictures were RAW at ISO 100, F/2.8, and telephoto only. Shutter speeds ranged from 1/60 to 1/2000, depending on what I was shooting... the telephoto capabilities of this lens are WONDERFUL. Bokeh is great, sharpness is great... I have NO complaints about this lens in either macro or telephoto usage. Great purchase - don't hesitate. Get one. :) ******************* UPDATE 8/21/2014 ******************* Still thrilled with the lens, but I ended up re-doing the auto-focus fine tuning. After shooting many images as a telephoto lens, I was a little frustrated with inconsistent sharpness - sometimes it would be amazing, other times, soft when I pixel-peeped. (Macro was perfect regardless - just telephoto was an issue.) Today I had an opportunity to re-do the tuning calibration outside, where the lighting was much better. I found that I needed to increase the AF fine tuning to a -9. Just for the record, a -10 worked well in the tests... but I did some real-world shooting at both -9 and -10, and it appeared to me that -10 was the way to go - we're talking MINUTE difference here, though... although the difference between -8 sharpness and -10 sharpness is pronounced. If you buy this lens (and you should!), make sure you evaluate it for AF fine tuning if you're going to use it as a medium telephoto - as a macro, though, it's not needed.
Review: An amateur's perspective - This is my second lens after Nikon 50 mm f1.8. I bought this at the recommendation of some tattooed youtube photographer for my Nikon D750. And I'm glad I did even though I am just a amateur and do not make a dime from photos: Pros: -- Two in one lens -- for portrait in full frame as well as Dx bodies and superb macro lens -- Takes super sharp pictures, the colors it produces are jaw dropping -- its just a joy to shoot with -- It feels very sturdy well built, made in Japan ( My Nikon 50mm 1.8 is made in china and is plasticy not as sturdy) -- Great value - price is cheap for the quality it provides, outperforms its expensive rivals per several photo gurus -- Seems to hold up its value well -- used ones are not much cheaper Cons: -- There are two extra steps with limit/full switch to activate autofocus mode -- read instructions carefully -- though its super easy -- Autofocus is slightly slower than my 50 mm ( not by much and has not posed a problem so far for me) Should a beginner buy it? -- If you are on tight budget -- do some research on macro extention tubes -- they may be enough for your needs and will save you money. If you are not making money from photos, all these gears are men's toys can be expensive hobby. -- If money is no matter or you really love photographing tiny objects and are thinking to buy a macro lens -- go for it -- its difficult to find a better alternative with better quality and value without spending much more P.S - I've attached a lime flower on my potted lime plant. Its taken indoor at night, handheld and is one of my first attempts at macro photo, so the imperfections are most likely mine rather than lens/camera

## Features

- Macro lens capable of life-sized (1:1) reproduction
- Closest macro focusing distance 11.8 inches (30 mm)
- Suitable for DX and full frame DSLRs
- One Touch Focus Clutch Mechanism
- Includes 55 mm non-rotating filter thread

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B000CMNL52 |
| Best Sellers Rank | #2,908 in Camera Lenses |
| Customer Reviews | 4.3 4.3 out of 5 stars (739) |
| Date First Available | June 17, 2003 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1.08 pounds |
| Item model number | T01-D100MN |
| Manufacturer | Tokina |
| Product Dimensions | 2.87 x 2.87 x 3.74 inches |

## Product Details

- **Brand:** Kenko
- **Camera Lens Description:** macro lens
- **Compatible Mountings:** Nikon F
- **Focal Length Description:** 100 millimeters
- **Lens Type:** Macro

## Images

![Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon - Image 1](https://m.media-amazon.com/images/I/21RBLxLZkxL.jpg)
![Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon - Image 2](https://m.media-amazon.com/images/I/31rnIhkvd+L.jpg)
![Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon - Image 3](https://m.media-amazon.com/images/I/613K25HBVWL.jpg)
![Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon - Image 4](https://m.media-amazon.com/images/I/61DqKu3zGOL.jpg)
![Tokina AF 100mm F/2.8 Macro at-X 100AF PRO D - Nikon - Image 5](https://m.media-amazon.com/images/I/71mESK7o5iL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ which is great. Took the lens for a quick test drive ...
*by J***R on August 5, 2014*

I received the lens today, and was a little concerned about the condition of the Tokina box - one corner had that crinkly-crushed look (small, but still...), and the top flap was popped out of the box. After opening it, however, the lens appeared to be in pristine condition. One sour note was that this did NOT come with a USA warranty from wikideals, but I figured it was no big deal with Amazon's return/exchange policy, which is great. Took the lens for a quick test drive on my D7100... autofocus worked like a charm. The limiter switch made focusing in telephoto mode nearly instantaneous and virtually silent. Macro focus was fairly quick as well, albeit a bit noisy in comparison to telephoto focusing. Not LOUD, mind you, but fairly audible as compared to my Tokina 12-28 and Nikon 55-200. All my daylight shots were taken at ISO 100, with varying F-stops. Initial macro shots were pretty good - I was very pleased for handheld results. I couldn't see any sharpness issues that I could distinguish from depth-of-field issues. Telephoto shots were encouraging, but not quite as sharp as I'd expected. I withheld judgement on both macro and telephoto until I was able to get the camera and lens at home (I was shooting at work), and do some auto-focus fine-tuning using a very handy chart I've been using on all my lenses. As it turned out, I needed to adjust the auto-focus fine-tuning to a -8 setting for this lens to reach top performance. (Not a surprise - Ken Rockwell had mentioned he needed a -10 on his D7000 and a -7 on his D3.) FYI, I also checked DXOMark and compared like lenses before choosing this one, so my sharpness expectations were set pretty high... especially so, since my Tokina F/4 12-28mm DX lens is incredibly sharp at 28mm. (There's minor softness in the corners at 12mm if you pixel-peep.) In fact, at 28mm, my Tokina zoom surpasses all my other lenses in terms of sharpness, with the possible exception of my Nikkor Prime F/1.8 35mm. This new Tokina 100mm, however, may end up in that class as well. After fine-tuning, I ran some macro shots against a quarter on a flat surface, as well as a small dish of jewelry. Macro was outstanding, and I could clearly see depth-of-field issues versus focus issues! Wherever the focus was, was razor-sharp! I also tested a quick test distance shot from across the room (about 20 feet), shooting at a lampshade with the light on. The lampshade is cloth, and I could see individual stitches - heck, I could even see where the fabric had tiny "hairs"! I'll be taking this lens for a test drive several more times this week, but if the above results stand up, then this is likely to become my main medium telephoto lens and not just my macro lens! I'll post a follow-up on the weekend and let you all know how I feel about the telephoto performance of the lens. There's no doubt that as a macro lens, this is stupendous. :) ******************* UPDATE 8/5/2014 ******************* After I wrote this, I couldn't help myself - I ran some more quarter and dime shots using a tripod. This time, however, I ran the F-stop all the way down to F/32... all I can say is that I am absolutely stunned by the macro quality, especially with the lens stopped down. I'm not sure there IS a sweet spot for aperture settings on this lens, at least regarding sharpness! Jury is still out as a telephoto... as I said, I'll update this on or after the weekend. :) ******************* UPDATE 8/5/2014 ******************* No need to wait until the weekend. I decided to take the lens out and take some shots off my back deck at sunset. All my pictures were RAW at ISO 100, F/2.8, and telephoto only. Shutter speeds ranged from 1/60 to 1/2000, depending on what I was shooting... the telephoto capabilities of this lens are WONDERFUL. Bokeh is great, sharpness is great... I have NO complaints about this lens in either macro or telephoto usage. Great purchase - don't hesitate. Get one. :) ******************* UPDATE 8/21/2014 ******************* Still thrilled with the lens, but I ended up re-doing the auto-focus fine tuning. After shooting many images as a telephoto lens, I was a little frustrated with inconsistent sharpness - sometimes it would be amazing, other times, soft when I pixel-peeped. (Macro was perfect regardless - just telephoto was an issue.) Today I had an opportunity to re-do the tuning calibration outside, where the lighting was much better. I found that I needed to increase the AF fine tuning to a -9. Just for the record, a -10 worked well in the tests... but I did some real-world shooting at both -9 and -10, and it appeared to me that -10 was the way to go - we're talking MINUTE difference here, though... although the difference between -8 sharpness and -10 sharpness is pronounced. If you buy this lens (and you should!), make sure you evaluate it for AF fine tuning if you're going to use it as a medium telephoto - as a macro, though, it's not needed.

### ⭐⭐⭐⭐⭐ An amateur's perspective
*by 8***N on January 7, 2017*

This is my second lens after Nikon 50 mm f1.8. I bought this at the recommendation of some tattooed youtube photographer for my Nikon D750. And I'm glad I did even though I am just a amateur and do not make a dime from photos: Pros: -- Two in one lens -- for portrait in full frame as well as Dx bodies and superb macro lens -- Takes super sharp pictures, the colors it produces are jaw dropping -- its just a joy to shoot with -- It feels very sturdy well built, made in Japan ( My Nikon 50mm 1.8 is made in china and is plasticy not as sturdy) -- Great value - price is cheap for the quality it provides, outperforms its expensive rivals per several photo gurus -- Seems to hold up its value well -- used ones are not much cheaper Cons: -- There are two extra steps with limit/full switch to activate autofocus mode -- read instructions carefully -- though its super easy -- Autofocus is slightly slower than my 50 mm ( not by much and has not posed a problem so far for me) Should a beginner buy it? -- If you are on tight budget -- do some research on macro extention tubes -- they may be enough for your needs and will save you money. If you are not making money from photos, all these gears are men's toys can be expensive hobby. -- If money is no matter or you really love photographing tiny objects and are thinking to buy a macro lens -- go for it -- its difficult to find a better alternative with better quality and value without spending much more P.S - I've attached a lime flower on my potted lime plant. Its taken indoor at night, handheld and is one of my first attempts at macro photo, so the imperfections are most likely mine rather than lens/camera

### ⭐⭐⭐⭐⭐ Another great lens from Tokina
*by W***E on October 1, 2010*

This is the second Tokina Lens I've bought (the first being the 11-16). I have to say, what a fantastic lens, at around half the price of the competition. Tokinas have a few quirks, the most unusual being the focus clutch. I still don't like it. It works, but it's too awkward, especially for this lens. The push-pull action requires so much force that you'll loose the shot every time, even on the tripod. Nikon's over-ride system is so much nicer, and you get so used to it that Tokina's attempt is just so damn clunky (and believe me, it comes with a noise too). I keep forgetting when I have a Tokina on, and keep trying to over-ride the focus. I can't get used to it, and am not sure I want to. The build quality is first rate. Seriously, this is build quality you'd expect on a lens for 3 times the price. it's heavy, and heavy is good. the Optics are also first rate, it's incredibly sharp. Without spending hours taking photos of charts, I don't see any chromatic aberrations, and sharpness is very good. The Bokeh is nice, and when you have a look at the diaphragm blades you'll see why. They are an engineering masterpiece. This is a beautiful lens, and at a damn good price. The front element is recessed a hell of a long way, why I don't know. This is an external focusing lens (meaning it gets longer as you focus - pretty much doubling it's length) so maybe it's to accommodate the focus rail. what ever the reason, you don't want to get this thing dirty, it's too deep to clean properly, so buy a filter. It comes with a lens hood, but with the recessed front element you'll wonder why - buy a filter, and you'll use it. This isn't a 'G' lens, so it has an aperture ring. this really pissed me off until I found the lock, which locks it into the auto position. I kept getting error messages when I set the aperture on the camera, as the ring had to be in the right position, and it moves every time you mount it on the camera. I'm so far past aperture rings, that I never checked it. This is more operator error than a fault, and those of you using older bodies need the aperture ring (who reads the instructions anyway right?) Speaking of bodies, it's a full frame prime lens, at 100mm, so on a crop frame Nikon you get 150mm. it's great for Macro, as you get some distance from your subject, but as a portrait lens, be prepared to walk........ a long way (if your studio/conditions allow!) Focus is slow, but when you see how far it moves, you'll allow it this fault. Setting up hand held macro shots can be hard to get an initial focus to work with, and doing it all on manual is frustrating. I guess I'll get better as I get used to the focus range. I almost gave a hermit crab a heart attack one day as I constantly re-positioned him as I just couldn't get the initial focus right. again, operator error rather than a fault, but I've never had as much of an issue as with this lens. (The little fella just gave up walking away after a while and I got some great shots). There's no image stabilization either, not a big issue for macro, but for normal shots, 150mm is long with out VR. You could spend all you money on name brand lenses, and only have one or two. Or you could buy a couple of Tokinas (as I have) and have a more diverse kit. And if you read some of the technical reviews, you see several of the Tokinas blow away the name brand lenses anyway. buy it. The more I use it, the more i like it (I just hate the damn focus clutch) A great investment, and I recommend to all

## Frequently Bought Together

- Tokina AF 100mm F/2.8 Macro AT-X 100AF PRO D - Nikon
- SanDisk 128GB Extreme PRO SDXC card, SD Card, V30 Memory Card, 4K UHD, up to 200 MB/s, SanDisk QuickFlow Technology, RescuePro Deluxe Data Recovery Software, UHS-I, Class 10, U3, V30
- K&F Concept 67MM Polarising Filter Circular Polarizing CPL, Ultra Slim, Japan Optics, Multi Coated, with Cleaning Cloth (Nano-K Series)

---

## Why Shop on Desertcart?

- 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016
- 🌍 **Shop Globally** — Access 737+ million products across 21 categories
- 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price
- 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members)
- 🔒 **Secure Payments** — Trusted payment options with buyer protection
- ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews

**Shop now:** [https://www.desertcart.jp/products/1427922-tokina-af-100mm-f-2-8-macro-at-x-100af](https://www.desertcart.jp/products/1427922-tokina-af-100mm-f-2-8-macro-at-x-100af)

---

*Product available on Desertcart Japan*
*Store origin: JP*
*Last updated: 2026-02-25*