--- product_id: 1355934 title: "A Clash of Kings: A Song of Ice and Fire, Book 2" price: "¥3405" currency: JPY in_stock: true reviews_count: 13 url: https://www.desertcart.jp/products/1355934-a-clash-of-kings-a-song-of-ice-and-fire store_origin: JP region: Japan --- # A Clash of Kings: A Song of Ice and Fire, Book 2 **Price:** ¥3405 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** A Clash of Kings: A Song of Ice and Fire, Book 2 - **How much does it cost?** ¥3405 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.jp](https://www.desertcart.jp/products/1355934-a-clash-of-kings-a-song-of-ice-and-fire) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description THE BOOK BEHIND THE SECOND SEASON OF GAME OF THRONES, AN ORIGINAL SERIES NOW ON HBO. In this sequel to A Game of Thrones, George Martin pursues the embattled Seven Kingdoms through a bitter 10-year winter in which good and evil contend for power. When cruel Queen Cerisi's son takes the Iron Throne following the death of its king, Robert Baratheon, the Queen's sons and Robert's brothers battle for control of the realm. Robert's young daughter, Princess Arya Stark, flees the kingdom disguised as a boy, as the exiled last heir of the former ruling family tends to his dragons. Meanwhile, the guardians of the realm's Wall dwindle in numbers as menacing barbarians gather their forces. Set in a glittering fantasy world enriched by 8,000 years of history, this baroque jewel captivates with its believable characters, deftly realized magic, and intricate plotting. Review: Superlative series; GRRM does it again!!! - First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched. Typical archetype character who turns out to be the missing heir or boy wonder who saves the world against the Dark Lord. So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker! Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series: WHY TO READ GRRM (1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . the dark lord is very evil and almost one sided at times . . . you get the idea. After reading this over and over, it gets old. (2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back. This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished. (3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR. (4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright. (5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing. (6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions. (7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow. (8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue. (9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages. (10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three. (11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done. (12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that. (13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels. (14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too. (15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it. REASON TO NOT READ GRRM (1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned. (2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes. (3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you. (4) SWEARING, SEX: there's a lot of it in this book just as there is in real life. If you have delicate ears, this book may upset you. (5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on. (6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil. (7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters. There really aren't any super heroes compared to all the other characters as it's more grittier and no one is shooting fireballs every milisecond or carrying around some super powerful sword. (8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig. (9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). While this is realistic of the medieval era, some readers may not prefer this if they want more girl power, so to speak. By the way, if you don't want to commit to a big book until you know the author better, check out his short story, THE HEDGE KNIGHT, in LEGENDS. Overall, this is a great series and I happily purchase the hard cover when it comes out... Review: highest highs and lowest lows. - Pre-review note for fans of the TV show Game of Thrones: If you've ever thought to yourself, "Gee, I love this show so much I'd like to read the books, but the first season of the show is supposed to be so faithful to the first book, and I don't want to read 800 pages of stuff I already know," and wondered if you should just start with book 2, A CLASH OF KINGS, here is what you need to know. Yes, you are safe skipping book one. You'll miss out on some worldbuilding & backstory, which are neat, but you won't feel lost. And yes, unlike Season 1/Book 1, there are some pretty major differences between Season 2 of the show and A CLASH OF KINGS. The list of changes is long, and some of the differences really surprised me. And now on to the review. I think? Maybe? Because it's hard to write a review when I have no distance. I haven't been so obsessed with a book in a really long while. I haven't felt so immersed or engaged, so eager to find out what happens next (yes, even though I already know). I want to read, and then I want to talk about what I'm reading, and then I want to read some more. This is not my usual sort of book. Good characters meet bad ends. The characters I root for are hurt and hurt and hurt again, and there's no reason to believe they've got a reward in store during the as-yet-unwritten finale. I think: Oh, I should not love Arya so much, I should not love Bran so much, or Daenerys or Tyrion. They can't all win. They're not going to make friends and get along. But I can't help it. It's hard to explain why anyone should read this series. It seems like an act of masochism, doesn't it? That's part of the reason why I avoided it for so long. But a book that can hurt you is a book that can move you in other ways, too. And the good moments, the character growth, the triumphs...man, they are so satisfying. I read a blog post that pointed out something obvious I should have seen myself. The classic fantasy plot is about a young man who becomes King. That's the trajectory; rising to power is success. And this is a novel with ostensibly the same plot -- there's a throne, it's in jeopardy -- but the books are about the people who surround the kings. The wives, the sisters and brothers, the advisors and vassals. The contenders to the throne (with the exception of Daenerys, who starts the book ruling a clan of 50 people) aren't our POV characters. A SONG OF ICE AND FIRE is a total inversion...and attaining power, in this world, is just as dangerous as losing it. I love the way that GRR Martin has set up the Houses, with images that stick in your mind like burrowing worms. Winter is coming. The iron price. A Lannister always pays his debts. He keeps this sprawling world and cast comprehensible because the imagery is so succinct and memorable. But each character interprets their own family legacy in a unique way. Despite the importance of family, despite that strong stamp of imagery, biology isn't destiny. Some of the Lannisters are foolish (Lancel? Yeesh), and their family words can be a doom or a blessing, depending on who's talking. Every character can choose, can do what's expected or what's easy or what's safe, to seek advantage or do what's right. So the simple image, the character of the family in the words and the banner, is elaborated, extended, perverted or rejected. The same with gender roles. There are characters -- especially the older characters -- that that fit the common types. Men who fight and lead. Women who look pretty and offer support. But those are the minority. Among the men, key characters include a dwarf, a eunuch, a cripple, a fat bookworm. Awesome characters that you love and root for, and you see how strong and capable they are, even if not a one of them looks pretty sitting on a horse in armor. The women hold their own in politics, but the book includes two key women who are evolving as fighters, driven by vengeance, who don't need to be pretty to be compelling or important. At this point, I feel like the series is about change. The characters who survive are the characters who adapt. I think I have been blathering on for a while now. To sum up: personally, I really enjoyed A CLASH OF KINGS. It pulled me deeper into the world, made me more attached to the characters. This is one of those series where more is really more. ## Images ![A Clash of Kings: A Song of Ice and Fire, Book 2 - Image 1](https://m.media-amazon.com/images/I/91yvJ0DD7lL.jpg) ## Available Options This product comes in different **Media Language, Media Format** options. ## Customer Reviews ### ⭐⭐⭐⭐⭐ Superlative series; GRRM does it again!!! *by M***M on April 7, 2001* First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched. Typical archetype character who turns out to be the missing heir or boy wonder who saves the world against the Dark Lord. So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker! Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series: WHY TO READ GRRM (1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . the dark lord is very evil and almost one sided at times . . . you get the idea. After reading this over and over, it gets old. (2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back. This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished. (3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR. (4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright. (5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing. (6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions. (7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow. (8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue. (9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages. (10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three. (11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done. (12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that. (13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels. (14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too. (15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it. REASON TO NOT READ GRRM (1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned. (2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes. (3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you. (4) SWEARING, SEX: there's a lot of it in this book just as there is in real life. If you have delicate ears, this book may upset you. (5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on. (6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil. (7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters. There really aren't any super heroes compared to all the other characters as it's more grittier and no one is shooting fireballs every milisecond or carrying around some super powerful sword. (8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig. (9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). While this is realistic of the medieval era, some readers may not prefer this if they want more girl power, so to speak. By the way, if you don't want to commit to a big book until you know the author better, check out his short story, THE HEDGE KNIGHT, in LEGENDS. Overall, this is a great series and I happily purchase the hard cover when it comes out... ### ⭐⭐⭐⭐⭐ highest highs and lowest lows. *by K***R on June 6, 2013* Pre-review note for fans of the TV show Game of Thrones: If you've ever thought to yourself, "Gee, I love this show so much I'd like to read the books, but the first season of the show is supposed to be so faithful to the first book, and I don't want to read 800 pages of stuff I already know," and wondered if you should just start with book 2, A CLASH OF KINGS, here is what you need to know. Yes, you are safe skipping book one. You'll miss out on some worldbuilding & backstory, which are neat, but you won't feel lost. And yes, unlike Season 1/Book 1, there are some pretty major differences between Season 2 of the show and A CLASH OF KINGS. The list of changes is long, and some of the differences really surprised me. And now on to the review. I think? Maybe? Because it's hard to write a review when I have no distance. I haven't been so obsessed with a book in a really long while. I haven't felt so immersed or engaged, so eager to find out what happens next (yes, even though I already know). I want to read, and then I want to talk about what I'm reading, and then I want to read some more. This is not my usual sort of book. Good characters meet bad ends. The characters I root for are hurt and hurt and hurt again, and there's no reason to believe they've got a reward in store during the as-yet-unwritten finale. I think: Oh, I should not love Arya so much, I should not love Bran so much, or Daenerys or Tyrion. They can't all win. They're not going to make friends and get along. But I can't help it. It's hard to explain why anyone should read this series. It seems like an act of masochism, doesn't it? That's part of the reason why I avoided it for so long. But a book that can hurt you is a book that can move you in other ways, too. And the good moments, the character growth, the triumphs...man, they are so satisfying. I read a blog post that pointed out something obvious I should have seen myself. The classic fantasy plot is about a young man who becomes King. That's the trajectory; rising to power is success. And this is a novel with ostensibly the same plot -- there's a throne, it's in jeopardy -- but the books are about the people who surround the kings. The wives, the sisters and brothers, the advisors and vassals. The contenders to the throne (with the exception of Daenerys, who starts the book ruling a clan of 50 people) aren't our POV characters. A SONG OF ICE AND FIRE is a total inversion...and attaining power, in this world, is just as dangerous as losing it. I love the way that GRR Martin has set up the Houses, with images that stick in your mind like burrowing worms. Winter is coming. The iron price. A Lannister always pays his debts. He keeps this sprawling world and cast comprehensible because the imagery is so succinct and memorable. But each character interprets their own family legacy in a unique way. Despite the importance of family, despite that strong stamp of imagery, biology isn't destiny. Some of the Lannisters are foolish (Lancel? Yeesh), and their family words can be a doom or a blessing, depending on who's talking. Every character can choose, can do what's expected or what's easy or what's safe, to seek advantage or do what's right. So the simple image, the character of the family in the words and the banner, is elaborated, extended, perverted or rejected. The same with gender roles. There are characters -- especially the older characters -- that that fit the common types. Men who fight and lead. Women who look pretty and offer support. But those are the minority. Among the men, key characters include a dwarf, a eunuch, a cripple, a fat bookworm. Awesome characters that you love and root for, and you see how strong and capable they are, even if not a one of them looks pretty sitting on a horse in armor. The women hold their own in politics, but the book includes two key women who are evolving as fighters, driven by vengeance, who don't need to be pretty to be compelling or important. At this point, I feel like the series is about change. The characters who survive are the characters who adapt. I think I have been blathering on for a while now. To sum up: personally, I really enjoyed A CLASH OF KINGS. It pulled me deeper into the world, made me more attached to the characters. This is one of those series where more is really more. ### ⭐⭐⭐⭐ A sequel that lives up to the original story *by J***N on June 17, 2011* George R. R. Martin's A Clash of King is the second book in the Song of Ice and Fire series. I gave Game of Thrones a 5-star rating. Five stars is a hard rating to come by and a hard rating to match and while I didn't give A Clash of Kings 5-stars (I give it 4), it is only because some of the novelty of the style in which Martin tells his story is no longer new. Outside of that, A Clash of Kings was a rather breathtaking book that carries the story forward from where A Game of Thrones left off and mixes in some new viewpoint characters along the way. I counted 9 viewpoint characters throughout the novel (10 if you can't the Maester in the prologue, who we never return to). Some of these characters we are familiar with and some of the them are new. Some of the new viewpoints are familiar characters, like Theon Grayjoy, but this is the first time we see things unfolding from his eyes. Others are new to the story, like Davos. There are three things that I think Martin does masterfully in A Clash of Kings (and remember, I am a recent convert to epic fantasy, thanks to A Game of Thrones): 1. He carries the epic forward in such a way that our interest is ever increasing, but without ever revealing too much at once. 2. He build on the characters so that we become as familiar with them as our own friends and family. 3. He build the world in such a way as that we become as familiar with it as our own surroundings. One of the things that impressed me about A Game of Thrones was that the "magic" in the story was only hinted at. People knew that magic used to exist, but much of it had disappeared. There wasn't a good explanation for this, but that's because no one really seemed to know why. It wasn't until the very end of the novel that we started to see some hints of magic that still lingered in the world. In A Clash of Kings, we see more magic than we saw in the first book (indeed, we see some at work in the Prologue). Throughout the novel, we see more and more, just enough of it to keep us interested, but only marginally more overt than the first book. And yet, as the magic takes place, we also learn why it is growing stronger and that reasoning, so far as I can tell, falls completely in line with the story as laid out so far. But the book is about much more than magic. It's about the struggle of 5 men to become king of the realm. What I found rather remarkable about the events in A Clash of Kings is that when you get to the end of the book and see everything that has happened, it all makes perfect sense, and it all flows from what happened at the beginning of A Game of Thrones. As someone was saying on a podcast I was on the other night, you want to scream at Eddard Stark when he agrees to leave Winterfell to become the Hand of the King: "No! Stay behind! Don't go!" The world is a very different place than it was when things started out. Another remarkable aspect of A Clash of Kings-for me at least-is that the characters are by now so well developed that as a reader, I felt like I knew them and could guess their reactions to various events. When one of the key players in the struggle to become king was killed, my first thought was: oh man, what is Tyrion Lannister going to think about that? When Davos led the fleet into the river before King's Landing, wondering if there was some sort of trap, I wanted to scream at him. As these events unfolded, I found myself wondering what the various players would think of them, in much the same way I do when some juicy piece of gossip reaches you at work. ("Wow, I wonder what so-and-so will say when they find out that project has been killed.") It takes some measure of skill to build characters so rich and deep and distinct from one another. I wish I could do this as well in my own writing. In addition to the characters, the surrounding world has become more familiar in all of its aspects. Often times, in epic books like these (those that I have read), I easily get lost in trying to deal with all of the places and people and their spacial relations to one another. But Martin is so subtle about how he introduces places anad characters, so vivid in his description horrendous of them, that it all seems clear in my head and when we follow characters to places, be they sites of battle or big cities, I never feel lost. And there must be hundreds of minor characters, but the more prominent of them are as clear in my mind as the major players. Perhaps my favorite scene in this book was the battle scene on the river in front of King's Landing, especially when Tyrion Lannister leads a troop into battle. That scene reminded me very much of the opening scene of Saving Private Ryan. It was remarkable and during the time that I read that scene, the entire world around me fell away and I was very much there in the middle of that attack. I will be very interested to see how HBO managed to pull off that scene in Season 2 of A Game of Thrones. I also loved that we got to go beyond the Wall in this book. I'd say that there might have been some slow parts early on (the book is 1,000 pages long), but "slow" is a relative term and the change in pacing that I experienced might have been due to the fact that I couldn't read the book every day. I was just too busy. But a number of people have told me that the first two books are really just a build-up to the third book, A Storm of Swords. Already I can't wait to get more into that one. In the end, A Clash of Kings carried the story forward in a masterful way and has convinced me that George R. R. Martin really does know how to tell a story the right way. (This review originally appeared on my website: [...]) --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.jp/products/1355934-a-clash-of-kings-a-song-of-ice-and-fire](https://www.desertcart.jp/products/1355934-a-clash-of-kings-a-song-of-ice-and-fire) --- *Product available on Desertcart Japan* *Store origin: JP* *Last updated: 2026-10-03*