Behringer Super Fuzz Sf300 3-Mode Fuzz Distortion Effects Pedal

These Behringer pedals do not cease to amaze. As far as the Super Fuzz goes, if your looking at, you already know what sound you are hoping to get out of it: classic fuzz tones. This pedal does not disappoint in that respect. The sound is distinct and well pronounced. This pedal holds its own against much more expensive competitors. This pedal just arrived today and there is a selector option I noticed when I purchased it but did not think to much about. That option is bass boost. As it stands, my main practice amp has that option built in. The bass boost on this pedal puts my amp to shame. On my 120 watt practice amp, I could probably break a windows with it on. It thumps hard. Now that I am aware of it, I would buy this pedal for that feature alone at the same price. I received my first Behringer pedal on Feb 25, 2016. It's the Ultra Metal. When I was purchasing it, I was on the fence but the price was right. It seemed a lot of reviews fell short of five or even four stars due to the amount of plastic in the construction. I have had plastic pedals in the past and they have universally been a disaster. Make no mistake, while only the base is metal, the plastic parts are very tough and all around well made. After the Ultra Metal I was enamored and have since acquired the Ultra Chorus, Vintage Delay, Vintage Overdrive, and now this. I am glad these are not all metal components. Enough thought went into the circuitry that they are in fact very high-end as it stands. They were careful in selecting the durable plastics that are used with these pedals. If they were all metal construction they would likely be substantially more expensive, and realistically could be as it stands just due to the sound quality. Being partially plastic makes these pedals more financially accessible to those who would not otherwise be able to assemble a collection, and I am confident they will stand the test of time. I will be buying more of these, and a Behringer pedal board.

Really great pedal; I love it

For $30, you cannot beat this pedal. It’s plastic & feels like a PoC so don’t go standing on it but the sound is intense, full, & pliant for whatever you need it for. I’m using this with a bass & it gives a heavy, fuzzy addition to the sound without tamping down the power if the low end. The 3 way switch is great for creating the perfect tone. The cheap, glued-on rubber sole came off minutes after velcroing it to me board but who cares!? Just put the tape directly on the plastic & move on. Everybody does it…

I've never really owned a fuzz pedal before, but have tried a few. Out of most I've tried, I've come across the Big Muff the most. It didn't really strike me as a good flavor of distortion to have until recently. Even my Boss Hyper Metal HM-3 is considered by some to be a fuzz pedal by some folks, but it isn't 100% there, certainly. My budget being what is it right now, I didn't want to spend a lot for a fuzz pedal. There are loads of fuzzes available for $100 or less, but this model is essentially three pedals in one. That's what attracted me to it, along with a few reviews in YouTube. Not to mention the bargain basement price. The three modes can be accessed via a switch on the right side of this pedal. The two fuzz modes (in my view) don't perfectly emulate any one pedal, but are extremely useful nonetheless. FUZZ 1 is a creamy, midrange filled sound. It doesn't get too bright, until the TREBLE knob is pushed past 3 o' clock. This fuzz could make even anemic single coils sound rich and thick. With humbuckers, it's actually quite clean in silences until the gain is past about 2 o' clock. I love the way this fuzz sputters when notes and chords decay. It seems to work best with power chords (root-5th note), and single notes. If you play complex chords, you'll hardly notice them; if you try to play them, use as little gain as possible. FUZZ 2 is more in line with the Big Muff. It has a scooped midrange, which makes things sound dark and sinister. With the increased bass and treble, complex chords work slightly better here. This fuzz also has more sustain than FUZZ 1, so it buzzes longer. This makes it great to use alongside a guitarist that's using a looser sounding high gain tone that isn't necessarily fuzzy. (Head era KoRn comes to mind for me...) The third option is ultimately what made my purchase worthwhile. BOOST. This mode is a clean boost with a flat midrange level. It actually distorts a little, but that's only after cranking the EQ and GAIN knobs all the way up. The resulting buzz does sound a bit like a slightly overdriven non-master volume amp (or a master volume's clean channel fully cranked). Still, throughout most of its gain and volume range, BOOST does a good job of staying clean. This would be great for pushing an amp into overdrive, or extending the gain of a heavily distorted sound. It might also be useful for a tiny volume boost for cleaner guitar tones, or just to maintain a stronger signal for a path full of effects. Overall, I like the tones this pedal spits out. I've only had it a few hours, but I love what I'm hearing so far. The build is similar to the other Behringer pedals I have, a NR100 noise reducer, and a TO800, their overdrive that sounds like a Tube Screamer. With this more recent pedal (built on June of 2010), the knobs seem slightly sturdier than before. I'd still not abuse them too much, though. As always, really abusive stompers might want to look elsewhere (or find a way to put the guts inside a custom built tank). You can't go wrong with the bright blue LED, either! Makes it easy to see on a dark stage, along with the dayglo orange pedal color.

I have poured a lot of money into various dirt pedals over the years: Big muff, Ibanez ts808, RAT, OCD, DOD Carcosa, etc etc and it feels wrong to say it but this cheap clone is by far my favorite, and the only one I will choose over my tube distortion (maybe start with a little tube warmth as the base). You can get that occult oppressive Electric Wizard Funeralopolis haze, or even alt rock / grunge punch like the chorus of Nirvana song. Behringer is controversial for stealing other companies' intellectual property, and while I don't really mind that, in this case I'm glad they did. Boss has discontinued the Hyperfuzz that this is based on, and from what I can hear, this nails that sound perfectly and for an unreal price. The built-in noise gate is great for playing extremely high gain with zero buzz even on single coils. This thing rules.

I was skeptical, admittedly, but this thing make *the* fuzz sounds you want it to. Maybe they should’ve called it “Hyper” instead of “Super”. No weird undesirable noise. I use a good filtered power supply and a noise gate on my pedal board but even with that switched off it wasn’t more than every single fuzz or distortion on the planet is going to produce. The settings are easy and straightforward. You’re probably going to find one that you like and keep it there. If you want mild fuzz it’ll do it at low settings, the higher settings are as thick as they come. Can easily replicate the fuzz tone used on popular Doom Metal bands’ albums, but would be great for any high gain distorted sound. Personally I experimented with it because I like Deadsy’s guitar tone, and it’s spot on. I’m only judging this on what it is and not what it isn’t - it has a plastic enclosure that I wish were metal, but I’m not docking any points for that because it has held up just fine so far.

It's cheap, and really, there's no reason not to buy one and try it out for yourself, at this price. It does make a decent fuzz pedal and I have used it where appropriate in songs/performances, but I will say I don't use this pedal often. Maybe I'm not much of a "fuzz" guy, IDK, but I just don't like this pedal THAT much. I find myself thinking it's okay when I'm playing, but then when I listen to the recording later I typically hate it. Sound is very subjective though. Others may love the pedal. It works well. Plastic housing doesn't bother me at all. It feels as cheap as it costs, for sure, but as long as you're not literally stomping on it, it should be fine. Hate where the 9v battery goes, but that's a small issue and if you've got a power supply, negligible.

Common knowledge is that the best modern clone of the original Super Fuzz is the Black Cat Super Fuzz. Of course, if you can find it in stock, that bad boy will still cost you two hundred. What if I told you that you could get a darn good Super Fuzz clone for only twenty something dollars? That' exactly what this is! Behringer has always been for beginners and budget minded players, and that's total fine, and there's a niche for that. Usually, I avoid the brand. But, this pedal was recommended to me by a very knowledgeable tech, and wow, was he right. You can really coax out some INTENSE, caustic fuzz from this thing. It is utterly pummeling. The YouTube vids are out there, but I think the Super Fuzz has less low end, more treble, and a much brighter fuzz sound than something like a Big Muff. It's just VERY aggressive sounding, almost more distortion than fuzz. The enclosure itself is a pretty cheap and chintzy plastic affair. It's fine for bedroom players, or careful users, but no WAY would this thing survive any sort of touring. (I mean, at least it's cheap enough to replace!) As long as you recognize that the enclosure is cheap and that's how they keep the price down, you'll be happy with this pedal. It sounds amazing. The value is undeniable. If you like fuzz and always wanted a Super Fuzz, pick it up.

Best pedal company on the market at a great price. I do enjoy a good Fuzz pedal when I do need to use one.

Inspirée directement des fuzz des années 70 - comme la mythique Tonebender de Colorsound dont je possède un exemplaire depuis 30 ans - la SF300 de Behringer se prête parfaitement à l'utilisation avec une basse. La SF300 possède en effet deux bouton "Cut/Boost" aigu et basse qui permettent en effet d'équaliser efficacement le son et donc... de ne pas perdre de graves quand cet effet entre en fonction! A la différence des fuzz pour guitare traditionnelles, qui ont tendance à favoriser les mediums et à couper agressivement les graves en dessous de 200 Hz. De plus, la SF300 propose trois modes de fonctionnement: - Boost: permet, comme son nom l'indique, de booster le niveau du son mais sans le distordre. Ce mode peut permettre de saturer l'entrée d'un pré-ampli (s'il réagit bien!) ou tout simplement de bénéficier d'une augmentation de volume à un moment opportun. Le boost se règle avec le bouton "Gain". - FUZZ 1: effet de distorsion classique des années 60 qui privilégie les mediums (pensez au son de Grand Funk ou des Who sur scène, voire Motorhead si vous montez les aigus). Fonctionne bien avec des power chords diatoniques. - FUZZ 2: LE mode qui me fait adorer cette pédale, il s'agit d'une disto ultra-riche en harmoniques qui privilégie graves et hautes fréquences (pensez au son de Black Sabbath), avec sustain de la mort-qui-tue. Vous vous retrouvez avec un vrai mur de son façon "stoner" ou "doom". Pas utilisable en toute circonstance, mais absolument jouissif quand vous avez envie de vous détendre après une heure de gammes. Peut avoir un immense intérêt si vous jouez avec un power trio, car ce son ultradéglingué peut parfaitement convenir pour soutenir un solo de guitare. Les possibilités offerts par les boutons Treble (aigu) et Bass (grave) sont considérables, mais avec une basse vous devriez laisser Bass réglé en permanence sur 3/4 afin de préserver votre capacité à défoncer le plancher avec votre 4 cordes. Le bouton Level permet d'ajuster le niveau de sortie et le Gain règle le niveau de distorsion. Détail important: cette pédale est incroyablement silencieuse! Dès que vous arrêtez le jouer, le vacarme de la disto s'interrompt et le souffre résiduel est très modeste... sauf si vous poussez le gain à toc, évidemment. Cette pédale a deux défauts: son boitier relativement fragile (mais pas tant que ça) en plastique et le fait que la pédale ne soit pas "true bypass" quand elle ne fonctionne pas. Mais pour 17 euros, même si cette pédale était une effroyable daube, elle resterait une bonne affaire. Mais ce n'est pas le cas du tout. Pour un bassiste branché rock, du Classic au Stoner, c'est une fantastique affaire! PS: cette petite merveille économique fait actuellement l'objet de discussions passionnées sur le forum américain Talkbass. N'hésitez pas à le consulter pour en savoir plus, si vous pratiquez la langue de Johnny Rotten.

Not Satisfied with the sound. Requested Refund/ Return since July 4, 2022 no response until today.

Arctic monkeys vs gibi gruplarin seslerini almak icin ideal. Benim alma sebebim elimde big muff pi dunlop bandofgypsies vs gibi fuzz pedallar olmasina ragmen shin ei turevi sesleri ucuz yollu saglayacak pedalimin olmamasiydi kendisi gayet yeterli mod 1.5 hikayeleri de dogru ve en begendigim modudur

Klasyka, pomimo że plastik to i tak pancerny, super brzmienie