The Pearl That Broke Its Shell: An Emotional Novel of Two Women's Stories Intertwined by Time and Tradition in Afghanistan

In her debut novel, Nadia Hashimi has gifted the world with a wonderfully written, mesmerizing look into a fascinating family drama set in Afghanistan. The main protagonists are Rahima, a young 21st century Afghani girl and her great-great-grandmother Shekiba who lived in the early 20th century. The story shifts between the young women who share not only DNA, but the fact that both were allowed for awhile to dress and live as males. Under a custom called bacha posh, families who do not have sons or have a single son, may allow a daughter to have her hair cut in boy fashion, don boy’s clothing, be given the freedom of boys to attend school, play in the streets, do marketing and price haggling for the family, earn money for the family, freed from household chores, be favored by the father, and receive the best food at home. After the onset of puberty, the girl has to transition back to a traditional Afghani female. Wherein lies much of the poignancy of this exquisite story. Once they have tasted freedom, recognition and respect, the bacha posh can have difficulty adjusting back to their culture’s traditional female role. Rahima, allowed to become a bacha posh, is one of five daughters. Her outspoken, sharp-tongued maternal aunt, Khala Shaima, never married due to a physical deformity, visits the family frequently to urge that the Rahima and her sisters be allowed to attend school, that they are as worthy as boys. She also tells them many stories, including that of Shekiba, their great-great-grandmother. Although the girls are allowed to attend school for a short time, after an incident with boys harassing them in the streets, they ultimately end up homebound. Rahima’s father is not a good provider, had spent much of his young adulthood fighting with the mujahideen against the Russian occupiers. His re-entry to civilian life did not go well. Between his substance abuse and his lack of a son, he was an angry, bitter man. His continued alliance with the local warlord from his mujahideen days will have drastic consequences for his family. Shekiba was the daughter of a happily married couple. Her father was a farmer who could make any crop grow, a true man of the earth. He taught all of his children to read. Her mother, two brothers and a sister died in a cholera outbreak, leaving Shekiba and her father working the farm. After father dies, Shekiba tells no one and continues to work the farm on her own, dawning her burqa if anyone approaches the homestead. Eventually her deception is discovered, she is moved to her grandmother’s house in the family compound and treated worse than a servant. Her spirit is fatigued at times, but never defeated. Shekiba becomes a female dressed as a male in the king’s harem, just outside the palace. The king has learned not to trust male guards. The description of Shekiba’s life in the harem is interesting and very compelling. The prestige of the concubines, the size of their apartments, their wardrobes and jewelry, were determined by the favor they held with the king. For the most part, this was dependent on the number of male children the concubine bore. The same measure used for Afghani wives, actually. Despite the luxury and leisure afforded concubines, there was always a shadow of danger hanging over them in their silk and jewelry-laden prison. Displeasing the king could be deadly. There is a vivid description of a stoning of a concubine who has entertained another man. This story is fascinating. Not only is it beautifully written, but the two arcs of the story, Shekiba and Rahima, based a century apart, show the similarities and contrasts of the female role in Afghani society. Shekiba saw the beginnings of modernization for Afghanistan under King Amanullah and Queen Soraya which included the expansion of the roles for women in society (true historical characters). A century later, Rahima actually participates in the Afghani legislature as assistant to a female representative. King Amanullah’s efforts to modernize Afghanistan a century ago were met with resistance and rebellion, eventually forcing him into exile after less than a decade of rule. It is still an open question whether today’s efforts to modernize the country and expand the role of women in the Afghani culture will succeed. The message of this book is that through the indomitable nature of the human spirit, there is hope, no matter the external circumstances of one’s existence. I gave this book a 4.75/5.0 rating. I hated to put it down to work, eat, sleep, and actually read it while I was on the treadmill and bike at the gym. I have barely sketched the stories of these two women; there are many other characters in the book who are just as mesmerizing. The most intense focus is on the women, but the men’s stories are represented as well because more than anything else, this is a novel about family. The men’s fates are also shaped by cultural expectations and how they use the power endowed by their societal structure has consequences for everyone around them. Some choose to brutalize others with this power while other men choose kindness, empathy and love.

Nadia Hashimi's debut novel is a strong work that explores the lives of two Afghani women who lived a hundred years apart. Both women, for different reasons, participate in a Afghan tradition, bacha posh of dressing a daughter as a boy when there are no sons. The novel tackles the issues of child marriage, abuse, discord between women of a household (second, third, and fourth wives as well as mother-in-laws), opium abuse, warlords, corruption, and the impact of war and invasion on everyday people. The focus is on the burden on women in the society and the split narratives show how little conditions for women have changed. What is interesting is that the portrayal of Rahima is not a story of someone living under the radical Taliban beliefs, but of the more traditional Afghan society. Her great-great-grandmother, Shekiba's world is that of the monarchy. One can see how despite the changes in government, little has changed for women. Hashimi's language is beautiful at times but the world she paints is bleak, full of loss and struggle. There is strength in many the women who exist in the novel but it creates a bitterness that they often take out on each other and leaves the reader with a sense of anger and a desire for them to turn that bitterness and anger on the men who have built this dreadful world they inhabit. The two women's stories end differently, but for me it is Rahima's that falls short. It felt rushed and almost anti-climactic. Granted, at 450 pages, it was time to end it, but there was room for editing earlier on that could have left more space to do her story justice in the ending. It wasn't a bad ending in terms of where it left the reader, rather a poorly paced ending that lost the potential impact of a better structured and written ending. Despite the rush at the end, the novel is worth the read for the insights into a world few westerners can fathom. It is through novels that we can develop empathy for those who live a life so different from our own.

A story so riveting about cultural differences that attempt to justify horrible abuse and condemnation against women. Although a slower start to build the plot, the story pulls you in like a mystery anxious to know how the story will twist and turn.

I would rate the book as three stars for the first half of the book and four for the last half. There were so many characters in two story lines that I found it hard to keep them straight, especially in the first half. The first half just didn't engage me much. If I had not finished the book, it would not have bothered me. Around the middle of the book, I became much more interested and hated putting it down. This book deals with the lives of women in Afghanistan in the early 20th century and early 21st century. Rahima whose story started in the early 2000s was actually the great great granddaughter of the Shekiba. One of Rahima's aunts tells her about Shekiba. The book shows many similarities between their lives. Some chapters are told by Rahima in the first person. Others are told in the third person about Shekiba. The book deals gender inequalities between males and females and violence against women in the two time periods. Although Russians, Taliban, Americans and Europeans are mentioned, the book primarily involves the traditional Afghan culture. It is a rather dark book and has a lot of violence against women by both men and women. In the end, I found it a worthwhile book, but if violence bothers you, you may not want to read this book.

An amazing story, and wonderfully written. I could not put this book down, and when I had to, I frequently found myself thinking about it and looking forward to when I could continue. Throughout this book, I couldn't help but think of how grateful I am to have been born a woman in America. With all the troubles we sometimes face here, we have our basic human rights, and freedom as women. It's horrifying that women and children (most especially girls) are treated so terribly. A beautiful, yet heartbreaking story, that will grip you emotionally. Several times I held my breath as something happened that was unexpected. Though this is a work of fiction, the author has loosely based her story on historical figures and events. She pulls you into the lives of these two women, and the culture in which they live. It's a very good reflection of the lives of so many women in the Middle East. As for the length of this book, it was perfect. I didn't want this story to end. It's hard to find books that are more than 300 pages long, and I don't care much for books under this. When you get into a gripping story like this one, it seems like you've reached the end when you've just barely started. If you liked this book, you might also like A Thousand Splendid Suns, and The Moonlit Cage. If you've read either of these, you'll definitely love this one. I look forward to reading more from this author.

If you want to learn about women's lot in Afghanistan, both present and past, this is a good start. The author takes a very ambitious idea, which is to follow two women born about a century apart, and then show how little has changed in that country. Both of the women are incredibly brave, and do their best to strive for a better life within cultural strictures. That being said, I felt the novel was not as good as it could have been. There is too much telling, and not enough showing. It was hard for me to keep all of the characters straight, given the two different plot lines. It was longer than it needed to be. It could better be described as historical / social fiction than literary. Still, the plot/s grabbed me enough to finish the book. I had read a lot about Afghanistan, and also about girls who had to act as boys in order to help their families, so some of the plot details were not new to me. The general despair of women is quite well depicted.

This story and its characters will stay with me for the rest of my life. It is an inside look at the confined conditions of Afghan women, who have no rights and are often treated like slaves. But it is also a portrait of fiercely resilient women who do everything in their power to break free. Highly recommended.

This book presents two parallel stories of women who lived in different centuries in Afghanistan. The young woman in the 21st century is inspired by stories she hears of the life of her ancestor. At times, I got tired of going back and forth between the two women, but that was because I was more interested in the modern woman, Rahima. The saddest part of the story is how the cycles of cultural, economic, and domestic abuse toward women continue to repeat themselves in outlying villages where modern technology and education is still relatively nonexistent for the majority of families. Although the novels are completely different, this book has a similar theme and feel as "A Thousand Splendid Suns," a book written by Khaled Hosseini, author of "The Kite Runner." Both books are a revealing look at how the Islamic culture found in third world countries allows and even encourages abuse and oppression of women and the indomitable spirit that is found in some women who refuse to submit to the outrage and who struggle to escape and overcome their fate, even though it invites greater levels of torment by the oppressors. It also exposes how the practice of polygamy pits women against each other, the jealousy creating mistrust, thereby precluding women from joining together to fight for better treatment. Also, there is the heartbreaking irony of how these uneducated people - both men and women - blame and torment any woman who fails to bear sons when modern medicine shows that it is the man's sperm which determines the sex of a child.

O livro descreve a vida de duas mulheres afgãs em uma sociedade machista. Traz características e a compreensão de uma cultura diferente da ocidental. É de fácil leitura e envolvente.

MIGHT CONTAIN SPOILERS Nadia Hashimi's debut novel, "The Pearl that Broke Its Shell," is a compelling and evocative tale that intertwines the lives of two Afghan women separated by a century. Through the practice of bacha posh, where girls dress and live as boys, Hashimi explores themes of gender, identity, and resilience in a deeply patriarchal society. The novel alternates between the stories of Rahima, a young girl in present-day Afghanistan, and her great-great-grandmother, Shekiba, in the early 20th century. Rahima, one of five daughters, is transformed into a bacha posh to provide her family with the benefits of having a "son." This role allows her to attend school and perform tasks restricted to boys. Rahima's story highlights the temporary freedoms she gains and the challenges she faces when societal norms reassert themselves. Rahima's story is mirrored by Shekiba's journey, who also faced immense hardships and societal constraints. Shekiba's resilience and resourcefulness highlight the persistent challenges for Afghan women across generations. Her experiences provide a historical context to Rahima’s struggles, showing the enduring nature of these issues. Hashimi's writing style is lyrical and evocative, immersing readers in the cultural and social landscapes of Afghanistan. Her use of detailed descriptions and rich character development brings the settings and personalities to life. The dual narrative structure not only enriches the storytelling but also allows for a nuanced exploration of the parallels and contrasts between the two women's experiences. Hashimi excels in creating a vivid, multi-faceted portrayal of her characters' inner lives and external challenges. Her storytelling is both heart-wrenching and hopeful, capturing the essence of human resilience and the enduring quest for freedom and self-determination. "The Pearl that Broke Its Shell" is a powerful and enlightening read that celebrates the indomitable spirit of Afghan women. Hashimi's debut is a significant contribution to contemporary literature about Afghanistan, offering a profound look into the complexities of gender roles and the strength of the human spirit in overcoming adversity. This novel is a must-read for anyone interested in stories of women's resilience and the cultural dynamics of traditional societies.

I really don't have a lot of time for reading, so it usually takes me a while to get through a book. I normally only read on my morning commute, but this book was something else. I read the first few pages and put it away because I wasn't quite sure I liked it. I'm glad I picked it back up after a few days and continued because the plot and writing very soon picked up and left me unable to put it down. I finished it within a week. A wonderful tale, so true to life and the harsh reality that it's both heartbreaking and heartwarming. I can only recommend it.

Loved the story of the two women, almost a century apart whose paths and fortunes were closely aligned. Interesting reading about times in Aghanistan in periods those of us in the Western world aren't as familiar with

Enlightening read. So much but so little! The plight of women over the recent decades in Afghanistan is heart breaking. How any human can treat another human in such violent ways with little or no respect, is tragic. Tragic for a nation and human kind. Tragic for the women caught up in this life. Their strength of character is admirable given the circumstance. The power of an individual's survival instincts can conquer the worst scenarios. I found this story compelling and I couldn't put it down. A must read, particularly for those who are sceptical about women seeking refuge in another country. Every refugee has a story, and particularly the women. Easy to read and I enjoyed Nadia's style of writing.